Kling AI Generator wideo
Napisz skupiony brief wizualny dla Kling 3.0
Skup swój brief wideo Kling 3.0 na widocznej akcji, ruchu kamery i oświetleniu. Dodaj końcowy dźwięk i dialog w swoim przepływie pracy edycji, gdy będzie to potrzebne; nie zakładaj, że dźwięk jest dołączony do żądania wideo.
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An animated young girl tries to apply makeup for a special dinner. She attempts two different looks but each one turns out messy and unnatural. Frustrated, she wipes everything off and gives up. Wearing a cozy oversized sweater, she casually applies a tiny bit of blush and lip balm without thinking, creating the perfect natural look. She looks into the mirror in surprise, changes into an elegant casual outfit, smiles confidently, and happily walks out to meet her friends. Pixar-style 3D animation, cinematic lighting, expressive facial animation, warm emotional storytelling, detailed cozy bedroom environment.
An animated young girl tries to apply makeup for a special dinner. She attempts two different looks but each one turns out messy and unnatural. Frustrated, she wipes everything off and gives up. Wearing a cozy oversized sweater, she casually applies a tiny bit of blush and lip balm without thinking, creating the perfect natural look. She looks into the mirror in surprise, changes into an elegant casual outfit, smiles confidently, and happily walks out to meet her friends. Pixar-style 3D animation, cinematic lighting, expressive facial animation, warm emotional storytelling, detailed cozy bedroom environment.
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00:00–00:03 — Wide cinematic shot of an abandoned amusement park at dusk. Dark storm clouds roll in fast. A teenage boy in a red jacket walks alone. 00:03–00:06 — Strong wind hits. A loose metal sign swings violently and crashes behind him. He starts running. 00:06–00:09 — He reaches the old carousel and climbs onto a faded wooden horse as heavy rain begins. 00:09–00:12 — Lightning flashes, illuminating the entire park in stark white. The carousel slowly starts turning from the wind. 00:12–00:15 — Rain hammers the metal roof. He holds on tightly as the carousel spins faster. 00:15–00:18 — Another lightning strike reveals a girl in a yellow raincoat standing at the entrance, watching him. 00:18–00:21 — She steps inside the spinning carousel as the storm intensifies. 00:21–00:24 — The boy looks at her. Both stay silent while rain pours and the ride turns. 00:24–00:27 — Camera slowly pushes in to a medium two-shot. Another lightning flash freezes the moment. 00:27–00:30 — Final close-up of their faces as rain streaks down. Atmosphere: eerie, melancholic, charged with quiet tension.
00:00–00:03 — Wide cinematic shot of an abandoned amusement park at dusk. Dark storm clouds roll in fast. A teenage boy in a red jacket walks alone. 00:03–00:06 — Strong wind hits. A loose metal sign swings violently and crashes behind him. He starts running. 00:06–00:09 — He reaches the old carousel and climbs onto a faded wooden horse as heavy rain begins. 00:09–00:12 — Lightning flashes, illuminating the entire park in stark white. The carousel slowly starts turning from the wind. 00:12–00:15 — Rain hammers the metal roof. He holds on tightly as the carousel spins faster. 00:15–00:18 — Another lightning strike reveals a girl in a yellow raincoat standing at the entrance, watching him. 00:18–00:21 — She steps inside the spinning carousel as the storm intensifies. 00:21–00:24 — The boy looks at her. Both stay silent while rain pours and the ride turns. 00:24–00:27 — Camera slowly pushes in to a medium two-shot. Another lightning flash freezes the moment. 00:27–00:30 — Final close-up of their faces as rain streaks down. Atmosphere: eerie, melancholic, charged with quiet tension.
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cinematic martial arts confrontation in broad daylight, a blind shaolin monk wearing a dark, stylized combat outfit inspired by legendary fighters stands calm and centered, eyes closed, surrounded by multiple hostile creatures emerging from a traditional Japanese landscape Ultra cinematic choreography coverage, mix of slow dolly-ins + orbit moves + whip pans, transitions masked by body motion and impacts, alternating real-time and slow motion, continuous fluid sequence (0-2s) wide establishing shot, monk standing still in center, wind moving fabric, creatures circling, tension builds (2-4s) slow push-in close-up on monk’s face, eyes closed, subtle head tilt sensing movement (4-6s) sudden attack from first creature, monk reacts instantly, precise sidestep + redirection, fluid motion (6-8s) chained combat sequence, monk engages multiple opponents, spinning strikes, controlled movements, each impact sending creatures flying backward with stylized motion (8-10s) slow motion highlight: mid-air dodge + counter sequence, cloth movement and body rotation emphasized, creatures suspended briefly before being thrown away (10-12s) final burst of speed, monk flows through remaining opponents in one continuous movement, camera orbiting rapidly, enemies collapsing or being thrown aside Traditional Japanese environment, open landscape with temples, wooden structures, distant mountains, clear daylight, subtle wind movement, dust and debris reacting to motion Ultra realistic, high-end martial arts film choreography, precise body mechanics, cinematic slow motion, strong contrast lighting, volumetric atmosphere, fluid transitions, intense but controlled physical interaction, no distortion, no stretching
cinematic martial arts confrontation in broad daylight, a blind shaolin monk wearing a dark, stylized combat outfit inspired by legendary fighters stands calm and centered, eyes closed, surrounded by multiple hostile creatures emerging from a traditional Japanese landscape Ultra cinematic choreography coverage, mix of slow dolly-ins + orbit moves + whip pans, transitions masked by body motion and impacts, alternating real-time and slow motion, continuous fluid sequence (0-2s) wide establishing shot, monk standing still in center, wind moving fabric, creatures circling, tension builds (2-4s) slow push-in close-up on monk’s face, eyes closed, subtle head tilt sensing movement (4-6s) sudden attack from first creature, monk reacts instantly, precise sidestep + redirection, fluid motion (6-8s) chained combat sequence, monk engages multiple opponents, spinning strikes, controlled movements, each impact sending creatures flying backward with stylized motion (8-10s) slow motion highlight: mid-air dodge + counter sequence, cloth movement and body rotation emphasized, creatures suspended briefly before being thrown away (10-12s) final burst of speed, monk flows through remaining opponents in one continuous movement, camera orbiting rapidly, enemies collapsing or being thrown aside Traditional Japanese environment, open landscape with temples, wooden structures, distant mountains, clear daylight, subtle wind movement, dust and debris reacting to motion Ultra realistic, high-end martial arts film choreography, precise body mechanics, cinematic slow motion, strong contrast lighting, volumetric atmosphere, fluid transitions, intense but controlled physical interaction, no distortion, no stretching
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Stylish idol dressing room at an MV filming studio, midday. A cheerful Korean female idol (@ image) films a fun, high-energy behind-the-scenes "Idol Swap Challenge" vlog entirely on her phone using dynamic handheld selfie shots, smooth mirror angles, and fast-paced cinematic editing. She smiles brightly at the camera and says, "Let's see how many styles I can become today!" With a playful snap of her fingers, she instantly transforms into a cute look, making adorable finger hearts and sweet expressions. Another snap transitions her into a cool concept with a confident attitude, sharp eye contact, and stylish poses. She spins once, seamlessly changing into an elegant look, gracefully adjusting her hair and smiling softly in front of the vanity mirror. With one final playful spin, she transforms into a funny version of herself, making exaggerated facial expressions, pretending to model dramatically, and bursting into genuine laughter. Each transformation is smooth and magical, with lighting, poses, and expressions changing instantly while remaining in the same dressing room. The vlog ends with her returning to her original look, pointing at the camera with a bright smile and asking, "Which version is your favorite?" She makes a finger heart, waves goodbye, grabs her phone, and happily heads out for filming, ending the video with energetic, playful, and viral-worthy idol vibes.
Stylish idol dressing room at an MV filming studio, midday. A cheerful Korean female idol (@ image) films a fun, high-energy behind-the-scenes "Idol Swap Challenge" vlog entirely on her phone using dynamic handheld selfie shots, smooth mirror angles, and fast-paced cinematic editing. She smiles brightly at the camera and says, "Let's see how many styles I can become today!" With a playful snap of her fingers, she instantly transforms into a cute look, making adorable finger hearts and sweet expressions. Another snap transitions her into a cool concept with a confident attitude, sharp eye contact, and stylish poses. She spins once, seamlessly changing into an elegant look, gracefully adjusting her hair and smiling softly in front of the vanity mirror. With one final playful spin, she transforms into a funny version of herself, making exaggerated facial expressions, pretending to model dramatically, and bursting into genuine laughter. Each transformation is smooth and magical, with lighting, poses, and expressions changing instantly while remaining in the same dressing room. The vlog ends with her returning to her original look, pointing at the camera with a bright smile and asking, "Which version is your favorite?" She makes a finger heart, waves goodbye, grabs her phone, and happily heads out for filming, ending the video with energetic, playful, and viral-worthy idol vibes.
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Create a cinematic fantasy scene above the clouds at sunrise. A young sky courier rides a small brass-and-wood glider toward a massive floating city suspended by ancient engines and waterfalls falling into open air. 0–4s: Ultra-wide aerial establishing shot. Endless golden clouds stretch beneath the glider as the floating city appears in the distance, lit by warm sunrise. Camera glides smoothly behind and above. 4–9s: Medium tracking shot alongside the courier as wind pulls at their scarf and loose fabric. The glider banks gently between floating stone towers, birds scattering around the frame. 9–13s: Close-up on the courier’s hand adjusting a glowing navigation compass. Reflections of the city flicker across polished brass controls. Slow rack focus from compass to skyline. 13–15s: Hero wide shot. The courier passes through a waterfall curtain into the city gates, sunlight exploding through mist around them. Style: cinematic sky fantasy, warm golden lighting, soft cloud haze, detailed brass textures, realistic cloth movement, sweeping camera motion, magical realism, clean wind audio, distant bells, water mist, and engine vibrations.
Create a cinematic fantasy scene above the clouds at sunrise. A young sky courier rides a small brass-and-wood glider toward a massive floating city suspended by ancient engines and waterfalls falling into open air. 0–4s: Ultra-wide aerial establishing shot. Endless golden clouds stretch beneath the glider as the floating city appears in the distance, lit by warm sunrise. Camera glides smoothly behind and above. 4–9s: Medium tracking shot alongside the courier as wind pulls at their scarf and loose fabric. The glider banks gently between floating stone towers, birds scattering around the frame. 9–13s: Close-up on the courier’s hand adjusting a glowing navigation compass. Reflections of the city flicker across polished brass controls. Slow rack focus from compass to skyline. 13–15s: Hero wide shot. The courier passes through a waterfall curtain into the city gates, sunlight exploding through mist around them. Style: cinematic sky fantasy, warm golden lighting, soft cloud haze, detailed brass textures, realistic cloth movement, sweeping camera motion, magical realism, clean wind audio, distant bells, water mist, and engine vibrations.
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ねこをモチーフにした小さなぬいぐるみ風の動物たちが、巨大なマカロンの天文台で星を見ているミニチュア世界。マカロンの屋根、クリームの望遠鏡、砂糖菓子の星、夜空の背景。丸い顔、小さな黒い点目、短い手足、400x736縦長の動画入力用。
ねこをモチーフにした小さなぬいぐるみ風の動物たちが、巨大なマカロンの天文台で星を見ているミニチュア世界。マカロンの屋根、クリームの望遠鏡、砂糖菓子の星、夜空の背景。丸い顔、小さな黒い点目、短い手足、400x736縦長の動画入力用。
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Create a 30 second cinematic short film titled The Suit Was Still Listening, presented in 16:9 with synchronized dialogue, environmental sound, and original music. The film must feel completely live action, physically grounded, and captured on location, never glossy or synthetic. Visual language: a rain soaked neighborhood laundromat at midnight, warm amber fluorescent tubes inside, cold blue street light and moving car reflections outside, wet pavement, fogged windows, chipped enamel machines, baskets, detergent boxes, loose receipts, realistic skin texture, natural eye moisture, subtle fabric lint, imperfect hair, restrained film grain, gentle halation, lifted shadows, rich but believable color. Wardrobe creates bold editorial color blocking: Mara wears a cobalt trench over a cream blouse, Noah wears a rust knit polo, the teenage attendant wears faded green workwear, and an elderly customer wears a pale gray suit and dark hat. Use expressive medium close shots, tactile inserts, occasional low angles, clean profile compositions, and brief handheld movement that feels operated by a human. Preserve consistent faces, clothing, props, screen direction, reflections, hand anatomy, and spatial continuity. Use realistic speech timing, breathing, blinking, eye focus, and precise lip synchronization. 0 to 3 seconds. Exterior wide shot through falling rain. A lonely laundromat glows on a dark corner. A black sedan turns slowly into the street. Camera makes a subtle forward creep. Music begins with muted upright bass, brushed snare, a low analog pulse, and the rhythmic churn of washers. 3 to 6 seconds. Interior macro shot through a round washer door. A red scarf turns through soap and water. Cut to Mara opening a dryer. A tiny black transmitter falls from the lining of a cream suit and strikes the tile with a sharp metallic click. The score briefly drops out. 6 to 10 seconds. Low medium two shot. Noah freezes beside a folding table. He says quietly, You said clean the suit. Mara studies the transmitter in her palm and replies, I did. You hid a heartbeat in the lining. Keep the delivery controlled and intimate, not theatrical. 10 to 14 seconds. Tight insert on the teenage attendant checking an old signal meter beside the change machine. A green needle jumps. He looks toward the fogged front window and says, It is still transmitting. Camera racks focus from the meter to white headlights sliding across the glass. 14 to 18 seconds. The sedan stops outside. The elderly customer continues folding a shirt without looking up. He says, Then he is already here. Hold on Mara as the moving headlights carve across her face. Let silence, rain, and machine motors carry the tension. 18 to 22 seconds. Noah whispers, Back door. The old man calmly turns the deadbolt on the back exit and answers, Too obvious. Mara notices a delivery rider outside pushing a rolling laundry cart past the window. Use a fast sequence of close shots: her eyes, the transmitter, the cart wheel, the sedan mirror. 22 to 27 seconds. Mara crosses naturally behind a row of machines, slips the transmitter into a sealed laundry bag on the moving cart through an open service hatch, and returns without drawing attention. Noah asks, What did you do. Mara watches the cart continue down the wet street and says, Gave him a cleaner story. 27 to 30 seconds. Exterior telephoto view. The black sedan pulls away and follows the cart. Cut back inside to a symmetrical medium shot of the four characters framed by spinning washer doors. The red scarf circles behind Mara like a slow warning light. She sits opposite Noah and says, Now tell me who owns the suit. End on the transmitter signal fading from the attendant meter as the final bass note lands. Sound design must include rain on glass, distant tires on wet road, washer motors, dryer buttons, fabric movement, the transmitter click, door lock, fluorescent hum, and soft room reflections around every voice. Dialogue must remain clean and naturally mixed above the music. Avoid visual distortion, artificial camera acceleration, floating objects, excessive shallow focus, oversharpening, plastic skin, extra fingers, unreadable signage, random background motion, or dreamlike effects.
Create a 30 second cinematic short film titled The Suit Was Still Listening, presented in 16:9 with synchronized dialogue, environmental sound, and original music. The film must feel completely live action, physically grounded, and captured on location, never glossy or synthetic. Visual language: a rain soaked neighborhood laundromat at midnight, warm amber fluorescent tubes inside, cold blue street light and moving car reflections outside, wet pavement, fogged windows, chipped enamel machines, baskets, detergent boxes, loose receipts, realistic skin texture, natural eye moisture, subtle fabric lint, imperfect hair, restrained film grain, gentle halation, lifted shadows, rich but believable color. Wardrobe creates bold editorial color blocking: Mara wears a cobalt trench over a cream blouse, Noah wears a rust knit polo, the teenage attendant wears faded green workwear, and an elderly customer wears a pale gray suit and dark hat. Use expressive medium close shots, tactile inserts, occasional low angles, clean profile compositions, and brief handheld movement that feels operated by a human. Preserve consistent faces, clothing, props, screen direction, reflections, hand anatomy, and spatial continuity. Use realistic speech timing, breathing, blinking, eye focus, and precise lip synchronization. 0 to 3 seconds. Exterior wide shot through falling rain. A lonely laundromat glows on a dark corner. A black sedan turns slowly into the street. Camera makes a subtle forward creep. Music begins with muted upright bass, brushed snare, a low analog pulse, and the rhythmic churn of washers. 3 to 6 seconds. Interior macro shot through a round washer door. A red scarf turns through soap and water. Cut to Mara opening a dryer. A tiny black transmitter falls from the lining of a cream suit and strikes the tile with a sharp metallic click. The score briefly drops out. 6 to 10 seconds. Low medium two shot. Noah freezes beside a folding table. He says quietly, You said clean the suit. Mara studies the transmitter in her palm and replies, I did. You hid a heartbeat in the lining. Keep the delivery controlled and intimate, not theatrical. 10 to 14 seconds. Tight insert on the teenage attendant checking an old signal meter beside the change machine. A green needle jumps. He looks toward the fogged front window and says, It is still transmitting. Camera racks focus from the meter to white headlights sliding across the glass. 14 to 18 seconds. The sedan stops outside. The elderly customer continues folding a shirt without looking up. He says, Then he is already here. Hold on Mara as the moving headlights carve across her face. Let silence, rain, and machine motors carry the tension. 18 to 22 seconds. Noah whispers, Back door. The old man calmly turns the deadbolt on the back exit and answers, Too obvious. Mara notices a delivery rider outside pushing a rolling laundry cart past the window. Use a fast sequence of close shots: her eyes, the transmitter, the cart wheel, the sedan mirror. 22 to 27 seconds. Mara crosses naturally behind a row of machines, slips the transmitter into a sealed laundry bag on the moving cart through an open service hatch, and returns without drawing attention. Noah asks, What did you do. Mara watches the cart continue down the wet street and says, Gave him a cleaner story. 27 to 30 seconds. Exterior telephoto view. The black sedan pulls away and follows the cart. Cut back inside to a symmetrical medium shot of the four characters framed by spinning washer doors. The red scarf circles behind Mara like a slow warning light. She sits opposite Noah and says, Now tell me who owns the suit. End on the transmitter signal fading from the attendant meter as the final bass note lands. Sound design must include rain on glass, distant tires on wet road, washer motors, dryer buttons, fabric movement, the transmitter click, door lock, fluorescent hum, and soft room reflections around every voice. Dialogue must remain clean and naturally mixed above the music. Avoid visual distortion, artificial camera acceleration, floating objects, excessive shallow focus, oversharpening, plastic skin, extra fingers, unreadable signage, random background motion, or dreamlike effects.
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OPERATION: Officer responds first to a small roadside brush fire before firefighters arrive, secures the area, and assists with evacuation of nearby pedestrians. RESPONDING OFFICER: Male, late 30s. Standard patrol uniform. Chest-mounted body camera. Calm under pressure. Clear verbal commands. RECORDING WINDOW: 7:10 PM. Warm evening. Streetlights beginning to illuminate. SCENE LOCATION: Roadside walking trail beside suburban homes. Dry grass. Small trees. Parked vehicles. Fire hydrant nearby. BODYCAM CHARACTERISTICS: Ultra-wide chest-mounted bodycam. Faster walking and occasional short jog. Noticeable breathing. Frequent head turns scanning surroundings. Hands visible directing pedestrians. No cinematic framing. INCIDENT FLOW (≈30 Seconds) Arrival (0–5s) Officer arrives to find a small patch of dry grass burning with light smoke drifting across the sidewalk. Safety Response (5–12s) Officer quickly guides pedestrians away from the smoke, blocks access using patrol vehicle lights, and radios fire department updates. Activity (12–20s) Officer checks nearby bushes for fire spread while a resident uses a garden hose to slow the flames from a safe distance. Fire Department Arrival (20–27s) Fire engine arrives. Firefighters immediately deploy a hose line and extinguish the remaining flames within seconds. Departure (27–30s) Officer confirms the area is secure, thanks nearby residents for staying clear, and returns to patrol duties. SOUND PROFILE: Radio dispatch, crackling fire, footsteps, distant traffic, sirens approaching, firefighters communicating, hose spraying water. AUTHENTICITY PROTOCOL: Realistic emergency response. No explosions. No exaggerated heroics. Continuous chest-mounted bodycam perspective with natural movement and authentic scene progression.
OPERATION: Officer responds first to a small roadside brush fire before firefighters arrive, secures the area, and assists with evacuation of nearby pedestrians. RESPONDING OFFICER: Male, late 30s. Standard patrol uniform. Chest-mounted body camera. Calm under pressure. Clear verbal commands. RECORDING WINDOW: 7:10 PM. Warm evening. Streetlights beginning to illuminate. SCENE LOCATION: Roadside walking trail beside suburban homes. Dry grass. Small trees. Parked vehicles. Fire hydrant nearby. BODYCAM CHARACTERISTICS: Ultra-wide chest-mounted bodycam. Faster walking and occasional short jog. Noticeable breathing. Frequent head turns scanning surroundings. Hands visible directing pedestrians. No cinematic framing. INCIDENT FLOW (≈30 Seconds) Arrival (0–5s) Officer arrives to find a small patch of dry grass burning with light smoke drifting across the sidewalk. Safety Response (5–12s) Officer quickly guides pedestrians away from the smoke, blocks access using patrol vehicle lights, and radios fire department updates. Activity (12–20s) Officer checks nearby bushes for fire spread while a resident uses a garden hose to slow the flames from a safe distance. Fire Department Arrival (20–27s) Fire engine arrives. Firefighters immediately deploy a hose line and extinguish the remaining flames within seconds. Departure (27–30s) Officer confirms the area is secure, thanks nearby residents for staying clear, and returns to patrol duties. SOUND PROFILE: Radio dispatch, crackling fire, footsteps, distant traffic, sirens approaching, firefighters communicating, hose spraying water. AUTHENTICITY PROTOCOL: Realistic emergency response. No explosions. No exaggerated heroics. Continuous chest-mounted bodycam perspective with natural movement and authentic scene progression.
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Replace the main character with the character from my references.
Replace the main character with the character from my references.
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Cinematic photorealistic footage, epic fantasy landscape, bright natural daylight with atmospheric haze and mist, dynamic high-speed camera movements, realistic motion blur, highly detailed traditional Tibetan-inspired village architecture, wooden and stone textures, flowing waterfalls, fluttering prayer flags, reflective water, god rays, 35mm filmic look with subtle grain. Use the provided reference image as the sole visual reference. Maintain exact consistency with the colossal carved mountain face, multiple powerful waterfalls cascading down the cliff, sprawling multi-level village with colorful flags and traditional buildings, snow-capped peaks, misty atmosphere, lighting, color palette, and overall majestic scale. 0-5s: [Fast Low-Angle Tracking Shot] Camera races forward at high speed just above ground level, dynamically weaving between villagers performing everyday activities near the riverbank and open fields — people carrying goods, tending animals, chatting in small groups, children playing. Strong forward momentum and immersive ground-level perspective. 5-8s: [High-Speed Alley Tracking] Camera plunges at full velocity into the narrow winding alleyways and bustling streets of the village, rushing past locals engaged in daily routines: merchants arranging stalls, monks walking, women washing clothes, smoke rising from chimneys, intricate buildings and details flashing by with intense motion. 8-15s: [Ascending Crane Reveal] In the final 7 seconds the camera executes a smooth, powerful ascent and pull-back, rising dramatically while revealing the immense scale of the mountain. Waterfalls roar down the cliffs as the colossal carved stone face is unveiled. Movement culminates in a breathtaking wide open establishing shot of the entire fantastical valley, village, river and monumental mountain under the clear blue sky. Photorealistic 8K, ultra-detailed textures, realistic water physics and splashes, coherent crowd animation and natural physics, perfect motion blur on fast moves, natural depth of field, cinematic lighting, high dynamic range, no artifacts, stable professional film look, movie-level immersion.
Cinematic photorealistic footage, epic fantasy landscape, bright natural daylight with atmospheric haze and mist, dynamic high-speed camera movements, realistic motion blur, highly detailed traditional Tibetan-inspired village architecture, wooden and stone textures, flowing waterfalls, fluttering prayer flags, reflective water, god rays, 35mm filmic look with subtle grain. Use the provided reference image as the sole visual reference. Maintain exact consistency with the colossal carved mountain face, multiple powerful waterfalls cascading down the cliff, sprawling multi-level village with colorful flags and traditional buildings, snow-capped peaks, misty atmosphere, lighting, color palette, and overall majestic scale. 0-5s: [Fast Low-Angle Tracking Shot] Camera races forward at high speed just above ground level, dynamically weaving between villagers performing everyday activities near the riverbank and open fields — people carrying goods, tending animals, chatting in small groups, children playing. Strong forward momentum and immersive ground-level perspective. 5-8s: [High-Speed Alley Tracking] Camera plunges at full velocity into the narrow winding alleyways and bustling streets of the village, rushing past locals engaged in daily routines: merchants arranging stalls, monks walking, women washing clothes, smoke rising from chimneys, intricate buildings and details flashing by with intense motion. 8-15s: [Ascending Crane Reveal] In the final 7 seconds the camera executes a smooth, powerful ascent and pull-back, rising dramatically while revealing the immense scale of the mountain. Waterfalls roar down the cliffs as the colossal carved stone face is unveiled. Movement culminates in a breathtaking wide open establishing shot of the entire fantastical valley, village, river and monumental mountain under the clear blue sky. Photorealistic 8K, ultra-detailed textures, realistic water physics and splashes, coherent crowd animation and natural physics, perfect motion blur on fast moves, natural depth of field, cinematic lighting, high dynamic range, no artifacts, stable professional film look, movie-level immersion.
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SCENE – Seedance 2.0 | 15s Sunday Market Memories Late-2000s flip camera aesthetic. Raw handheld realism. .00:00–00:02 Selfie shot entering a lively local market. .00:02–00:04 Picking up handmade bracelets from a small stall. .00:04–00:06 Buying iced tea and chatting casually with the vendor. .00:06–00:08 Walking past colorful umbrellas and fruit stands. .00:08–00:10 Sitting near a fountain writing in a notebook. .00:10–00:12 Watching children play nearby. .00:12–00:15 Smiling tord the camera, giving a tiny wave, abrupt ending.
SCENE – Seedance 2.0 | 15s Sunday Market Memories Late-2000s flip camera aesthetic. Raw handheld realism. .00:00–00:02 Selfie shot entering a lively local market. .00:02–00:04 Picking up handmade bracelets from a small stall. .00:04–00:06 Buying iced tea and chatting casually with the vendor. .00:06–00:08 Walking past colorful umbrellas and fruit stands. .00:08–00:10 Sitting near a fountain writing in a notebook. .00:10–00:12 Watching children play nearby. .00:12–00:15 Smiling tord the camera, giving a tiny wave, abrupt ending.
Zweryfikowany prompt
【风格】千禧复古泳池派对(Y2K Pool Party),MiniDV摄像机质感(Camcorder Footage),过曝暖黄,胶片颗粒(Film Grain),VHS干扰线,快节奏卡点 【时长】15秒 【场景】2000年代美式后院泳池派对,烈日,水面光斑刺眼,折叠躺椅,银色CD播放器,彩虹充气浮排,塑料鲸鱼 【角色】一群Y2K造型女生:低腰比基尼、腰链(Belly Chain)、彩色塑料太阳镜、蝴蝶发夹(Butterfly Clips)、亮片唇彩 [00:00-00:01.5] 镜头1:出水炸开(Close-up / Pullback) DV开机蓝屏闪过REC红点。怼脸特写——戴彩色塑料墨镜的女生从水下炸出,湿发甩出水弧(Slow-mo),水珠溅镜头,对着DV大笑,阳光过曝纯白。 [00:01.5-00:03] 镜头2:poolside巡游(Low Angle / Right Pan) 低角度腰高右摇,三个女生穿薄纱罩衫拿罐装饮料走过湿瓷砖,其中一个用翻盖手机自拍,厚底人字拖啪嗒作响。 [00:03-00:04.5] 镜头3:推人下水(Dutch Angle) 荷兰角中景,一个女生从背后推闺蜜入池,可乐罐飞出,人砸入水中,水花炸溅,推人的笑到弯腰。 [00:04.5-00:06] 镜头4:FPV俯冲(FPV Drone Dive) FPV从高处俯冲掠过水面,女生们躺在浮排上晒太阳,有人举一次性胶片相机(Disposable Camera)对镜头闪光。 [00:06-00:07] 镜头5:冰块入杯(Macro / Still) 微距静帧,冰块落入塑料杯,橙色液体溅起,握杯的手戴彩色橡胶手环,阳光穿透液体投出焦散光斑。 [00:07-00:08.5] 镜头6:热舞跟拍(Tracking / Backward Follow) 后退跟拍锁脸,湿发贴脸戴蝴蝶发夹的女生穿编织比基尼在人群中扭动,圆环耳环晃动,笑容直视镜头。 [00:08.5-00:10] 镜头7:跳水剪影(Worm's Eye / Push-in) 蚁视角上推,女生从跳板腾空成剪影,太阳炸出眩光(Lens Flare),水珠在空中化为光点。 [00:10-00:11.5] 镜头8:碰杯(Close-up / Left Pan) 快速左摇,两个女生举红色塑料杯碰杯,液体溅出成金色水弧,笑得眯眼。 [00:11.5-00:13] 镜头9:DJ过肩(OTS / Pull-in) DJ肩后推进,前景手指按银色CD播放器按钮,背景女生们跟节奏疯狂泼水,逆光水花成金色雨幕。 [00:13-00:15] 镜头10:黄金全景定格(Extreme Wide / Crane Rise) 摇臂急速拉升,整个泳池派对铺开在黄金时刻暖光中,全是人和充气玩具,水面碎金。叠入DV时间戳"08/15/2000 PM 5:47",定格闪烁模拟VHS暂停。
【风格】千禧复古泳池派对(Y2K Pool Party),MiniDV摄像机质感(Camcorder Footage),过曝暖黄,胶片颗粒(Film Grain),VHS干扰线,快节奏卡点 【时长】15秒 【场景】2000年代美式后院泳池派对,烈日,水面光斑刺眼,折叠躺椅,银色CD播放器,彩虹充气浮排,塑料鲸鱼 【角色】一群Y2K造型女生:低腰比基尼、腰链(Belly Chain)、彩色塑料太阳镜、蝴蝶发夹(Butterfly Clips)、亮片唇彩 [00:00-00:01.5] 镜头1:出水炸开(Close-up / Pullback) DV开机蓝屏闪过REC红点。怼脸特写——戴彩色塑料墨镜的女生从水下炸出,湿发甩出水弧(Slow-mo),水珠溅镜头,对着DV大笑,阳光过曝纯白。 [00:01.5-00:03] 镜头2:poolside巡游(Low Angle / Right Pan) 低角度腰高右摇,三个女生穿薄纱罩衫拿罐装饮料走过湿瓷砖,其中一个用翻盖手机自拍,厚底人字拖啪嗒作响。 [00:03-00:04.5] 镜头3:推人下水(Dutch Angle) 荷兰角中景,一个女生从背后推闺蜜入池,可乐罐飞出,人砸入水中,水花炸溅,推人的笑到弯腰。 [00:04.5-00:06] 镜头4:FPV俯冲(FPV Drone Dive) FPV从高处俯冲掠过水面,女生们躺在浮排上晒太阳,有人举一次性胶片相机(Disposable Camera)对镜头闪光。 [00:06-00:07] 镜头5:冰块入杯(Macro / Still) 微距静帧,冰块落入塑料杯,橙色液体溅起,握杯的手戴彩色橡胶手环,阳光穿透液体投出焦散光斑。 [00:07-00:08.5] 镜头6:热舞跟拍(Tracking / Backward Follow) 后退跟拍锁脸,湿发贴脸戴蝴蝶发夹的女生穿编织比基尼在人群中扭动,圆环耳环晃动,笑容直视镜头。 [00:08.5-00:10] 镜头7:跳水剪影(Worm's Eye / Push-in) 蚁视角上推,女生从跳板腾空成剪影,太阳炸出眩光(Lens Flare),水珠在空中化为光点。 [00:10-00:11.5] 镜头8:碰杯(Close-up / Left Pan) 快速左摇,两个女生举红色塑料杯碰杯,液体溅出成金色水弧,笑得眯眼。 [00:11.5-00:13] 镜头9:DJ过肩(OTS / Pull-in) DJ肩后推进,前景手指按银色CD播放器按钮,背景女生们跟节奏疯狂泼水,逆光水花成金色雨幕。 [00:13-00:15] 镜头10:黄金全景定格(Extreme Wide / Crane Rise) 摇臂急速拉升,整个泳池派对铺开在黄金时刻暖光中,全是人和充气玩具,水面碎金。叠入DV时间戳"08/15/2000 PM 5:47",定格闪烁模拟VHS暂停。
Poznaj przepływy pracy wideo
Poznaj przepływ pracy Kling 3.0 i porównaj go z powiązanymi stronami wideo. Generator jest źródłem prawdy dla bieżącego dostępu do modeli i ustawień. Korzystaj z biblioteki promptów, aby analizować publikowane wyniki i model, który je utworzył.
Napisz skupiony brief wizualny dla Kling 3.0
Skup swój brief wideo Kling 3.0 na widocznej akcji, ruchu kamery i oświetleniu. Dodaj końcowy dźwięk i dialog w swoim przepływie pracy edycji, gdy będzie to potrzebne; nie zakładaj, że dźwięk jest dołączony do żądania wideo.
Skup swój brief wideo Kling 3.0 na widocznej akcji, ruchu kamery i oświetleniu. Dodaj końcowy dźwięk i dialog w swoim przepływie pracy edycji, gdy będzie to potrzebne; nie zakładaj, że dźwięk jest dołączony do żądania wideo.
Poznaj Kling 3.0Jaśniejszy brief kreatywny dla Kling 3.0
Zamień wstępny pomysł w skupiony brief
Wybierz tylko rozdzielczość i proporcje obrazu pokazane dla wybranego modelu. Sprawdź kadrowanie, drobne szczegóły i wszelki tekst w ukończonym wideo. Większy rozmiar wyjściowy nie gwarantuje dokładniejszego wyniku.
Poznaj pomysły na wideo Kling 3.0 z klingai.me
Wybierz tylko rozdzielczość i proporcje obrazu pokazane dla wybranego modelu. Sprawdź kadrowanie, drobne szczegóły i wszelki tekst w ukończonym wideo. Większy rozmiar wyjściowy nie gwarantuje dokładniejszego wyniku.
Sprawdź model i opcje danych wejściowych
Skup swój brief wideo Kling 3.0 na widocznej akcji, ruchu kamery i oświetleniu. Dodaj końcowy dźwięk i dialog w swoim przepływie pracy edycji, gdy będzie to potrzebne; nie zakładaj, że dźwięk jest dołączony do żądania wideo.
Napisz skupiony brief wizualny dla Kling 3.0
Skup swój brief wideo Kling 3.0 na widocznej akcji, ruchu kamery i oświetleniu. Dodaj końcowy dźwięk i dialog w swoim przepływie pracy edycji, gdy będzie to potrzebne; nie zakładaj, że dźwięk jest dołączony do żądania wideo.
Poznaj warianty za pomocą skupionego briefu
Wybierz tylko rozdzielczość i proporcje obrazu pokazane dla wybranego modelu. Sprawdź kadrowanie, drobne szczegóły i wszelki tekst w ukończonym wideo. Większy rozmiar wyjściowy nie gwarantuje dokładniejszego wyniku.
Poznaj powiązane przepływy pracy wideo
Poznaj przepływ pracy Kling 3.0 i porównaj go z powiązanymi stronami wideo. Generator jest źródłem prawdy dla bieżącego dostępu do modeli i ustawień. Korzystaj z biblioteki promptów, aby analizować publikowane wyniki i model, który je utworzył.
Napisz skupiony brief wizualny dla Kling 3.0
Skup swój brief wideo Kling 3.0 na widocznej akcji, ruchu kamery i oświetleniu. Dodaj końcowy dźwięk i dialog w swoim przepływie pracy edycji, gdy będzie to potrzebne; nie zakładaj, że dźwięk jest dołączony do żądania wideo.
Opisz swoją koncepcję filmu lub prześlij obrazy
W swoim briefie wideo Kling 3.0 opisz, jak obiekt powinien poruszać się od pozycji początkowej. Jeśli wybrany model obsługuje obraz lub klatkę końcową, użyj jej, aby wyjaśnić kompozycję i ciągłość. Nie zakładaj, że każdy typ odniesienia jest akceptowany.
Napisz skupiony brief wizualny dla Kling 3.0
Skup swój brief wideo Kling 3.0 na widocznej akcji, ruchu kamery i oświetleniu. Dodaj końcowy dźwięk i dialog w swoim przepływie pracy edycji, gdy będzie to potrzebne; nie zakładaj, że dźwięk jest dołączony do żądania wideo.
Sprawdź i pobierz ukończone wyniki
Gdy żądanie zostanie ukończone, sprawdź wideo w Historii i pobierz wynik, który chcesz zachować. Przejrzyj kompozycję i wszelkie niezamierzone szczegóły przed udostępnieniem go zespołowi lub publikacją.
Doświadcz profesjonalnego tworzenia filmów
Wybierz tylko rozdzielczość i proporcje obrazu pokazane dla wybranego modelu. Sprawdź kadrowanie, drobne szczegóły i wszelki tekst w ukończonym wideo. Większy rozmiar wyjściowy nie gwarantuje dokładniejszego wyniku.
Pomysły na wideo Kling 3.0 do Twoich projektów
W swoim briefie wideo Kling 3.0 opisz, jak obiekt powinien poruszać się od pozycji początkowej. Jeśli wybrany model obsługuje obraz lub klatkę końcową, użyj jej, aby wyjaśnić kompozycję i ciągłość. Nie zakładaj, że każdy typ odniesienia jest akceptowany.

Filmy marketingowe i reklamowe
W koncepcji produktu Kling 3.0 określ kształt produktu, materiał, kluczowy detal i scenerię. Zachowaj dokładność logo i twierdzeń, pozostaw miejsce na własną typografię i sprawdź wynik przed użyciem go w reklamie.

Treści w mediach społecznościowych
Zaplanuj swoje wideo społecznościowe Kling 3.0 wokół jednego jasnego przekazu. Zdecyduj o kadrowaniu dla docelowego kanału, umieść główny obiekt w widocznym miejscu i sprawdź czytelność na małym ekranie przed udostępnieniem.

Materiały edukacyjne i szkoleniowe
Użyj koncepcji wizualnej Kling 3.0, aby wesprzeć jeden punkt dydaktyczny lub prezentacyjny. Samodzielnie sprawdź fakty i etykiety, a końcowe napisy dodaj w swoim przepływie pracy edycji, zamiast polegać na wygenerowanym tekście.

Prezentacje i komunikacja korporacyjna
Użyj koncepcji wizualnej Kling 3.0, aby wesprzeć jeden punkt dydaktyczny lub prezentacyjny. Samodzielnie sprawdź fakty i etykiety, a końcowe napisy dodaj w swoim przepływie pracy edycji, zamiast polegać na wygenerowanym tekście.

Tworzenie treści filmowych i epizodycznych
Podziel koncepcję historii Kling 3.0 na krótkie, jasno opisane ujęcia. Nadaj każdemu ujęciu jedną akcję i kierunek kamery. Sprawdź ciągłość między wynikami przed złożeniem ich w sekwencję.

Projekty osobiste i kreatywne opowiadanie historii
Podziel koncepcję historii Kling 3.0 na krótkie, jasno opisane ujęcia. Nadaj każdemu ujęciu jedną akcję i kierunek kamery. Sprawdź ciągłość między wynikami przed złożeniem ich w sekwencję.
Notatki kreatywne do briefu wideo Kling 3.0
Nadaj głównemu obiektowi jedną jasną akcję. W koncepcji Kling 3.0 precyzyjny brief łatwiej ocenić niż listę konkurujących efektów.

Przepływ pracy wideo Kling 3.0: pytania i odpowiedzi
Ta strona klingai.me wyjaśnia przepływ pracy wideo Kling 3.0. Pomaga napisać skupiony brief i sprawdzić dostępne dane wejściowe. Bieżący dostęp jest pokazany w generatorze; nazwa modelu w przewodniku nie oznacza, że obecnie przyjmuje żądania.
Nowe konta otrzymują 10 kredytów rejestracyjnych. Sprawdź koszt kredytów wybranego modelu przed wysłaniem; te kredyty nie gwarantują darmowego wideo. Subskrypcje i pakiety kredytów klingai.me są wymienione na stronie Pricing i są oddzielne od jakichkolwiek oficjalnych planów usługi Kling.
Korzystaj z klingai.me w przeglądarce. Na mniejszym ekranie otwórz menu nawigacji, aby przechodzić między generatorem, biblioteką promptów i swoim kontem. Obsługiwane przesyłanie i pobieranie również zależą od Twojego urządzenia.
W swoim briefie wideo Kling 3.0 opisz, jak obiekt powinien poruszać się od pozycji początkowej. Jeśli wybrany model obsługuje obraz lub klatkę końcową, użyj jej, aby wyjaśnić kompozycję i ciągłość. Nie zakładaj, że każdy typ odniesienia jest akceptowany.
Prompty, przesłane odniesienia i wygenerowane wyniki mogą być przechowywane w celu udostępnienia historii i realizacji żądań. Zapoznaj się z Privacy Policy przed przesłaniem materiałów wrażliwych. Opublikowane przypadki i publiczne linki do mediów mogą być widoczne dla innych osób.
Wybierz tylko rozdzielczość i proporcje obrazu pokazane dla wybranego modelu. Sprawdź kadrowanie, drobne szczegóły i wszelki tekst w ukończonym wideo. Większy rozmiar wyjściowy nie gwarantuje dokładniejszego wyniku.
Wybierz tylko rozdzielczość i proporcje obrazu pokazane dla wybranego modelu. Sprawdź kadrowanie, drobne szczegóły i wszelki tekst w ukończonym wideo. Większy rozmiar wyjściowy nie gwarantuje dokładniejszego wyniku.
Zaplanuj swoje wideo społecznościowe Kling 3.0 wokół jednego jasnego przekazu. Zdecyduj o kadrowaniu dla docelowego kanału, umieść główny obiekt w widocznym miejscu i sprawdź czytelność na małym ekranie przed udostępnieniem.
Wybierz tylko rozdzielczość i proporcje obrazu pokazane dla wybranego modelu. Sprawdź kadrowanie, drobne szczegóły i wszelki tekst w ukończonym wideo. Większy rozmiar wyjściowy nie gwarantuje dokładniejszego wyniku.
Wybierz tylko rozdzielczość i proporcje obrazu pokazane dla wybranego modelu. Sprawdź kadrowanie, drobne szczegóły i wszelki tekst w ukończonym wideo. Większy rozmiar wyjściowy nie gwarantuje dokładniejszego wyniku.
Opracuj swój brief wideo Kling 3.0 wokół potrzebnego wyniku. Utrzymaj główny kierunek konkretnym, sprawdź obsługiwane ustawienia w generatorze i przejrzyj ukończoną pracę przed użyciem jej w projekcie.
Posty na blogu
Napisz skupiony brief wizualny dla Kling 3.0
Skup swój brief wideo Kling 3.0 na widocznej akcji, ruchu kamery i oświetleniu. Dodaj końcowy dźwięk i dialog w swoim przepływie pracy edycji, gdy będzie to potrzebne; nie zakładaj, że dźwięk jest dołączony do żądania wideo.