Kling 3.0 Générateur de vidéo

A giant glacier wall collapses into a fjord beside a coastal city. The falling ice triggers a massive water displacement wave that surges toward the harbor. Camera sweeps over the collapsing glacier before racing toward the city as the water wall crashes into buildings and docks. Icebergs smash through streets as the city floods. Glacier collapse megaflood, iceberg destruction chaos, cinematic polar disaster scale, 4K.

A super cute chibi-style anime cartoon little penguin girl with big sparkling eyes, fluffy black and white feathers, tiny wings, and a small pink bow on her head. She's sitting at a table happily eating her favorite food with chopsticks. Suddenly, a finger gently pokes her soft cheek from the side. Show her dramatic adorable reaction in sequence: eyes widening in surprise, cheeks puffing out, intense blush, a funny puffed-up angry-cute expression with tiny steam coming from her head, then she turns and glares cutely at the finger while still chewing. Kawaii anime style, soft pastel colors, smooth 2D animation, vibrant and wholesome, high detail, dynamic short animation sequence, funny and heartwarming mood, clean bright background.

Generate a 15-second hyper-realistic cinematic horror sequence inside a deserted luxury hotel hallway at night with dim amber wall lamps and deep shadows: a well-dressed woman walks alone pulling a suitcase, hearing faint footsteps behind her that always stop the instant she stops; the camera slowly tracks backward as she nervously glances over her shoulder, but the hallway is empty every time; she reaches an ornate mirror at the end of the corridor and catches her reflection smiling while she remains terrified; startled, she backs away, but every mirror lining the hallway now shows the reflection walking toward the glass independently; the lights flicker violently, and each flicker brings the reflections closer until one suddenly presses its hand against the inside of the mirror; in a tight close-up, the reflected hand pushes through the glass like liquid while the real woman stumbles backward in panic; the lights go completely out for one second, and when they return, the hallway is empty except for the abandoned suitcase, while a woman identical to her calmly walks away in the mirror’s reflection alone; diegetic sound only with echoing footsteps, distant elevator chime, buzzing lights, shallow breathing, subtle glass creaks, and a final oppressive silence, creating an unsettling psychological horror atmosphere with subtle surreal realism.

Create a realistic 15 second "Luxury Grocery Run" lifestyle video featuring a stylish Korean college student with long silky black hair, radiant skin, and a fresh natural look. Bright premium supermarket with modern minimalist interiors, clean product displays, warm natural lighting, cinematic handheld camera, ultra realistic photography. The video opens with her grabbing a shopping basket at the entrance and smiling toward the camera before walking into the fresh produce section. She carefully picks strawberries, avocados, fresh flowers, yogurt, pasta, and sparkling water while comparing products. Cinematic close ups capture her hands selecting fruit, placing items into the basket, and colorful shelves filled with premium groceries. She stops at the bakery, chooses a fresh croissant, then walks through the snack aisle while laughing after discovering a new product. Smooth tracking shots follow her as she pushes the basket through the bright store. She pays using a contactless card at the self checkout, packs everything into reusable shopping bags, and exits the store into warm afternoon sunlight. The video ends with her walking home carrying the grocery bags while sipping an iced coffee, smiling confidently as the camera slowly pulls back to reveal a clean modern city street. Style: premium lifestyle vlog, realistic grocery shopping content, cinematic handheld and gimbal camera movement, elegant transitions, bright natural lighting, photorealistic, shallow depth of field, luxury social media aesthetic, 4K HDR, 16:9 widescreen, no subtitles, no text overlays.

@Image1 is the lead performer — preserve her exact identity in every shot: cornrow braids, septum ring, statement earrings, sculptural glossy white wrapped top, dark indigo denim. @Audio1 is the music track — entire edit cut to it; no invented music, no voiceover, no lip-sync. Music-video route: dance/performance, underground ballroom energy shot editorial. Track: industrial hip-hop, 95 BPM half-time, distorted 808s, luxury-noir. Director thesis: a midnight parking-garage ball — the lead walks the floor while a circle of dancers judges, hypes, and finally bows. Visual world: underground concrete parking garage at night, rows of fluorescent tubes on the ceiling, oil-stained reflective floor, headlights of two parked black cars cross-lighting the central floor like a runway. Background dancers: 5 ballroom dancers in mixed black leather and denim looks, individually styled but all monochrome dark. Palette: fluorescent cool white, warm headlight amber, black leather, concrete. No neon colors, no particles. Cut map synced to @Audio1: 0.0–2.0s THE BREATH — static wide: the five dancers form a loose circle in the headlight cross, crouched and leaning like a ballroom crowd; the lead stands outside the circle in shadow, chin down. Stillness. 2.0s THE DROP — 808 kick: the circle snaps open into a corridor on the hit and she steps into the light exactly on the kick; hard cut to low-angle push-in. 2.0–4.0s runway walk down the corridor of dancers, they lean in around her walk with sharp hype gestures on each kick, camera dollying backward at her pace. 4.0s snare — whip-pan: full freeze — she hits a profile vogue arm frame mid-runway, the crowd frozen mid-hype around her. 4.0–8.0s battle exchange: she throws sharp New Way vogue lines and head isolations on the snares at the circle's center; on each of her hits two dancers answer with duckwalk bursts and dramatic hand performance, alternating sides; torso rolls ripple around the circle on the 808 slides. Camera orbits inside the circle. 8.0s hi-hat triple roll — 3 rapid macro inserts: her earring in headlight flare, a dancer's leather glove snapping open, boots duckwalking on oil-stained concrete. 8.5–12.0s escalation: accelerating orbital around her solo as the circle claps on the beats and closes tighter, headlights strobing her silhouette as she cuts between the beams; speed-ramp stretch then snap back on the kick. 12.0s bass slide — she drops into a controlled sideways level glide across the oily reflective floor, camera low and dutch, the circle sinking into crouches with her. 13.5–15.0s FINAL BUTTON — hard cut to wide: she stands centered in the headlight cross in a frozen vogue pose one arm high; the five dancers dip to the ground around her in a synchronized ballroom dip, all frozen; micro push-in, hold. Loopable. Performance rules: lead stoic, owns the floor; crowd expressive but never upstages her. Continuity: same six people, same wardrobe, same garage. Audio intent: every cut on a hit of @Audio1; faint foley only (boots, echoes, leather). Quality bar: expensive editorial music video, gritty but polished, no AI gloss, no glow effects.

15-second continuous single-shot action sequence. No cuts. No scene transitions. Ultra-realistic modern war cinematic, rotor wash, dust storms, debris, interior/exterior lighting contrast, strong vibration Scene Structure Urban canyon → destroyed building → exit to open street 0–3s — POV flight View from side-mounted camera on helicopter. Flying low between buildings. Rotor wash pushing debris. 3–6s — entry path Partially collapsed building ahead. Open structural gap visible. Pilot commits to entry. 6–9s — transition through structure Helicopter enters building. Debris and dust engulf frame. Camera passes between beams and rubble. 9–11s — slow motion (interior traversal) Time slows. – dust particles suspended – fragments floating – light beams cutting through interior Helicopter barely clearing obstacles. 11–13s — exit transition Camera moves outward as aircraft exits structure. Light explodes into frame. 13–15s — continuation Helicopter banks hard into open street. Dust trailing behind. Maintains aggressive forward motion.

SCENE CONTEXT A young man carries the sleeping woman into the pink bedroom, lays her on the bed and covers her with the blanket, switches off the lamp, then sits down on the floor at the foot of the bed, rests his head on the edge of the mattress, and falls asleep there, keeping a respectful distance. ACTIVE REFERENCES <<<image_3>>>: young man, messy light-brown hair, white t-shirt, carrying then floor-sitting posture, tender careful movement. 100% matches the reference. <<<image_1>>>: sleeping young woman, low pigtails, pink hair-roller clip, beige t-shirt with brown long sleeves, pink plaid pajama bottoms, eyes closed, carried then lying tucked in bed. 100% matches the reference. <<<image_2>>>: pink bedroom — white ornate bed frame, pink bedding and pink blanket, wooden wardrobe and trim screen-left, sheer-curtained window screen-right, warm bedside lamp. 100% matches the reference. LOCATION MAP Pink bedroom. Bed screen-center against the wall, white headboard, pink blanket. Wooden wardrobe and door trim screen-left. Sheer-curtained window screen-right letting faint cool outside light through. Warm bedside lamp on a table beside the bed. Open floor between the door and the bed is his carrying path; the foot of the bed has clear floor space where he will sit. FIRST FRAME AND SPATIAL BLOCKING The first visible frame matches the attached carry reference exactly: he stands mid-room holding her in a bridal carry, her head resting against his chest and shoulder, her eyes closed, pink plaid fabric bundled across his forearms, the white bed and pink bedding soft in the background screen-left, sheer curtains screen-right. No empty establishing frame. FORMAT MODE Controlled four-shot sequence with HARD CUTs at 4.0s, 8.5s, and 11.0s. Real-time motion, gentle handheld for the carry only. No subtitles, no music. OPTICS Shot 1: 50° diagonal field of view, standard normal lens character, camera 1.5 to 2 meters from the pair, natural proportions, holding both faces and the carry in a clean medium two-shot. Shot 2: 56° diagonal field of view, near-normal lens character, camera 1.2 meters at low bed height, shallow depth on her settling face and the blanket, warm lamp bokeh behind. Shot 3: 63° diagonal field of view, slightly-wide lens character, camera 2 meters back, wide enough to hold him at the bedside lamp and the whole bed with her lying tucked in as the light drops. Shot 4: 63° diagonal field of view, slightly-wide lens character, camera low at the foot of the bed, holding the length of the bed with her tucked in and him sinking to the floor in the foreground, then a slow crane to a high three-quarter angle looking down the bed. CAMERA Shot 1: gentle handheld follow — a slow dolly-in with him as he steps deeper toward the bed, subtle vertical bob and weight-shift pulse matching the carry, human motion not digital jitter. Shot 2: slow push-in from bed height as he lowers her and draws the blanket up, settling on her face and the tucked edge. Shot 3: static-leaning wide as he steps to the bedside lamp and clicks it off; the frame holds through the drop to low ambient light, her tucked-in body still framed on the bed. Shot 4: low static frame at the foot of the bed as he sits down on the floor and lowers his head to the mattress edge, then a slow crane-up to a high three-quarter angle looking down the length of the bed — her tucked on the bed, him asleep on the floor below the footboard. ACTION TIMING 0.0s to 4.0s: he carries her in a bridal hold, walking slowly toward the bed, her head lolling gently against his chest, her pigtail swaying with each step. 4.0s HARD CUT. 4.0s to 8.5s: he lowers her onto the bed, her shoulders and head settling into the pillow, then draws the pink blanket up over her and tucks the edge along her shoulder with both hands. 8.5s HARD CUT. 8.5s to 11.0s: he steps to the bedside lamp and switches it off; the warm glow dies and the room drops to dim cool light from the curtained window — she lies on the bed exactly as he left her, tucked under the pink blanket, head on the pillow, unmoved; his shape stays readable in the low light. 11.0s HARD CUT. 11.0s to 15.0s: in the dim room he lowers himself to sit on the floor at the foot of the bed, back against the footboard side, and rests his head sideways on the edge of the mattress near her feet; he settles, breathing slows, and he closes his eyes and falls asleep there, not lying beside her, a clear respectful distance kept. PHYSICS Her body carries real dead-weight during the carry — limbs sag, head lolls, pigtail swings freely. As he lowers her, the pillow and mattress compress under her head and shoulders; the pink blanket drapes and folds naturally as it is pulled up and tucked. His footsteps are grounded heel-to-toe with real weight transfer. As he sinks to the floor his weight settles, one arm resting on the mattress, his head lowering onto the mattress edge which dips slightly under it; his eyelids close with a soft final settle. LIGHTING Shots 1–2: primary light is the warm bedside lamp, low and soft, gentle warm tone across both faces, soft catchlights, no harsh shadow. Shot 3: at the click the warm lamp goes out and the room falls to low cool ambient light from the sheer-curtained window — dim but motivated, both her tucked form and his moving shape stay readable with a soft rim of window light, not crushed to pure black. Shot 4: same low cool ambient; him sitting and lowering his head, and his closed eyes, remain visible in the dark, window light softly modeling the bed and floor. AUDIO Shot 1: soft footsteps, faint effort breath under her weight, a quiet sleepy sigh from her. Shot 2: soft mattress settle and blanket rustle as he tucks her in. Shot 3: a quiet lamp-switch click, the room tone shifting. Shot 4: a soft floor settle and faint cloth rustle as he sits and lowers his head, then quiet steady breathing from both. No dialogue, no music, no subtitles. POSITIVE LOCKS First frame matches the attached carry reference exactly. Man matches <<<image_3>>> exactly, woman matches <<<image_1>>> exactly, bedroom matches <<<image_2>>> exactly. The blanket is pink. When the lamp is switched off, she remains lying on the bed in the exact tucked pose he left her in — head on pillow, covered by the pink blanket, unmoved. He does not lie on the bed: he sits on the floor at the foot of the bed and rests his head on the mattress edge to sleep, turned respectfully away, a clear gap kept between them. The room darkens after the lamp click but movement and his closing eyes stay visible in low window light, never a fully black frame.

The camera races along a branch of an impossibly large tree floating in space. The trunk is wider than continents and the branches stretch across entire star systems. Two flight craft weave through glowing leaves the size of cities while rivers of light flow through the bark like veins. The camera follows as they dive through hollow sections of the branch containing ecosystems, floating settlements, and glowing forests. A transparent observation chamber is embedded inside the tree itself, overlooking the flow of luminous sap through the structure. The craft spiral upward through the canopy and emerge above the branches where countless stars hang between the leaves.

Create a wide-format 9-panel cinematic storyboard infographic (16:9 canvas) showing a luxury skincare commercial. Use ultra-realistic photography, premium beauty advertising aesthetics, warm cinematic color grading, and high-end editorial fashion imagery. Arrange the storyboard in a clean 3×3 grid layout with clearly numbered panels (01–09), bold scene titles, and 2–3 short bullet points beneath each panel describing camera angle, action, and mood. Professional film-production storyboard presentation style with elegant typography, clean spacing, subtle graphic design elements, and polished advertising-agency quality. Visual Style: * Luxury skincare commercial * Warm dark brown → deep amber gradient backgrounds * Black accents with soft baby-pink highlights * Golden rim lighting and rich cinematic shadows * Korean-Western beauty campaign aesthetic * Shallow depth of field, creamy bokeh * Ultra-realistic skin textures and glossy product materials * Premium fashion editorial photography * High-end beauty cinematography * Minimalist luxury layout Panel 01 — "Product Emerges" * Extreme macro shot * Light green aloe-vera pump bottle emerges from darkness * Warm spotlight, glossy reflections, subtle fish-eye distortion Panel 02 — "Luxury Reveal" * Slow rotating beauty shot of bottle * Rich premium material highlights * Elegant curved composition Panel 03 — "First Touch" * Beautiful blonde woman pumps thick white cream * Macro focus on product texture * Hands and bottle fill frame Panel 04 — "Silk Application" * Close-up applying cream to forehead and cheeks * Fish-eye lens enhances intimacy * Dewy skin catches golden highlights Panel 05 — "Glow Transformation" * Cream absorbs into skin * Luminous healthy complexion revealed * Cinematic beauty close-up Panel 06 — "Product Ritual" * Three products displayed: * b-Straighten PREP WASH * b-Smooth * STEP 3 POST TREATMENT * Elegant luxury arrangement Panel 07 — "Sensory Texture" * Macro creamy liquid pour * Slow-motion viscosity and drip details * Warm reflections and premium textures Panel 08 — "Empowered Beauty" * Hero medium shot of model holding products * Baby-pink luxury dress * Direct confident eye contact * Slight low-angle cinematic framing Panel 09 — "Final Hero Frame" * Full product range in foreground * Model softly blurred behind * Premium campaign ending * Elegant text overlay area * Quiet luxury atmosphere Character Reference: 24-year-old Western woman with flawless luminous skin, light hazel-green eyes, sleek wet-look blonde hair in a sophisticated low slick bun, delicate baby-pink luxury dress, youthful elegance, refined luxury beauty campaign appearance. Overall Design: * Professional film storyboard presentation * Clean white panel borders * Numbered scenes 01–09 * Bold scene titles * Short production notes under each frame * Consistent warm cinematic color palette * Advertising pitch-deck quality * Luxury beauty brand campaign board * Hyper-realistic photography * Ultra-detailed 8K quality * Smooth visual storytelling from product reveal to final hero shot

"Create a 15-second ultra-realistic cinematic video in one continuous uncut shot with consistent character appearance. A young romantic couple in their mid-20s with natural beauty, expressive eyes, and genuine smiles walk hand-in-hand through a lush green park on a gentle rainy afternoon. They have no umbrellas and become happily soaked by the rain. The man playfully twirls the woman, and they laugh naturally while splashing through shallow puddles. As they continue walking, he gently brushes a wet strand of hair away from her face, they pause beneath a large tree that offers little shelter, look deeply into each other's eyes, smile warmly, while rain falls all around them. The camera performs a smooth cinematic tracking movement, slowly circling the couple before pulling back to reveal the rain-covered park, glistening wet pathways, vibrant green trees, soft mist, and reflections shimmering in puddles. Realistic rain physics, natural facial expressions, authentic body movements, wind gently moving their hair and clothing, shallow depth of field, soft overcast lighting with subtle golden rays breaking through the clouds near the end, emotional storytelling, photorealistic details, cinematic color grading, HDR, 4K, movie-quality realism, no cuts, no text, no watermark."

CAMERA MOVEMENT (IMAX-level blockbuster cinematography): Opening — Pursuit: Aggressive helicopter POV descent (Crane Down + Whip Pan), diving hard toward the male character as he's pinned against a cliff edge under heavy gunfire suppression. Escape — Plunge: Hard Dolly In + Speed Ramp as the man sprints and leaps off the cliff edge into the ocean below, camera falling with him in freefall, wind and motion blur intensifying. Submersion — Transition: Camera punches through the water surface on impact, transitioning seamlessly into an underwater Tracking shot following the man's descent, bubbles trailing, light refracting from above. Focus — The Gathering: Macro Push-In on the man's outstretched hand underwater, all five fingers spread as seawater begins spiraling and converging into his palm — slow, deliberate, hypnotic build. Formation: Extended Macro/Tracking hybrid as the swirling water mass grows from a thin current into a dense, coiling liquid form, gradually shaping into a shark's silhouette — fins, tail, and body contour emerging while remaining fluid and translucent. Climax — Breach: Reversed FPV Dive + Snap Zoom as the liquid shark erupts from beneath the water surface at explosive velocity, launching skyward. Impact: Bullet-Time Orbit + Pull-Out circling the liquid shark mid-flight as it lunges at the helicopter, jaws closing around the fuselage — Time-Freeze Resume on the moment of impact before the helicopter shatters and disintegrates, debris and water spray cascading down in slow-building chaos. One continuous unbroken take, zero lens distortion, maximum kinetic and dramatic impact throughout. PACING RULE: No static holds during pursuit/impact beats — ~1.5 second rhythm per action beat. Exception: brief selective slow-motion permitted during the water-to-shark formation sequence to emphasize the awe of the transformation. LIGHTING & COLOR GRADE: Blockbuster cinematic quality, Kodak film grain texture, master-level realistic grading. Strong warm-cool contrast — helicopter and sky rendered in cold metallic blue-grey tones, while the ocean and liquid shark carry a luminous deep-blue-to-turquoise gradient. Sunlight refracting through spray and water droplets creates dramatic highlights. IMAX-scale wide depth of field, immense visual tension and scale. SCENE / STORYBOARD: An armed helicopter opens fire on a man, hunting him down. Cornered at a cliff's edge, he leaps into the ocean to escape the gunfire. Underwater, he steadies himself and extends one hand forward, fingers spread — the surrounding seawater begins spiraling and converging into his palm, the current thickening and growing from a thin stream into a dense swirling mass. The water gradually reshapes itself into the form of a shark — fins, tail, and torso clearly defined, yet remaining entirely liquid and translucent (not a physical shark — a shark formed entirely of water). The liquid shark bursts violently from his palm, breaching the ocean surface and launching into the air, jaws open, lunging at the helicopter exactly like a real shark. It clamps down and shatters the helicopter's fuselage on impact — the aircraft breaks apart and plummets, water spraying in all directions. CHARACTER: The man — composed, resolute expression, soaked hair clinging to his face, focused and unshaken. Visible muscle definition in his forearm and hand as he channels and shapes the water. NEGATIVE PROMPT: cartoon look, anime style, low quality, blurry, character distortion, stiff/unnatural water form, overly cartoonish shark, distorted helicopter structure, excessive camera shake, color inaccuracy, watermark, text

aesthetic: handheld camera. audio: Supersonic wind roar. timeline: - 0-3s: Guy leaning on the nose of a Boeing 747 as it flies at 30,000ft; the pilots inside are confused. - 3-7s: Cut to a close-up, as he cups his hand, lights a cigarette. - 7-12s: Cut to a medium shot, takes a drag. Blows smoke into the wind, cuts rapidly at the pilot's inside, panicking and knocking on the window - 12-15s: Cut to the man smoking the cigarette outside, he nods at the camera, and says with a smile on his face: "Bit windy." Hard cut to the pilot with his hand on his head in panic. quality: Authentic amateur footage