Kling AI Générateur de vidéo

NO MUSIC ONLY NATURAL SOUND — Epic blockbuster fantasy, shot on ARRI Alexa 65 with IMAX-scale anamorphic lenses, warm golden-hour daylight breaking through canyon haze, drifting mist and volumetric god-rays, grounded handheld energy on the run building to a sweeping aerial glide in flight. The sweeping rocky valley (@Image3) tiered waterfalls spilling down the cliffs, scattered pines, a winding dirt trail across the canyon floor, tall sandstone mesas dissolving into low mist. Side tracking shot moving parallel to ERYAN (@Image1) as he sprints in profile across the dirt trail, low on his feet pounding the ground and kicking up dust and grit, then easing back to hold his full body in frame — a lean young man in a tattered beige linen tunic belted with a wide leather sash, black wavy hair and green eyes, lower legs wrapped in cloth bindings, driving toward a jutting rock outcrop. Staying lateral with him, he hits the lip and launches off the edge into open air over the valley. Slow motion at the peak of the leap, held in side profile — his body suspended against the waterfalls far below, tunic and hair lifting, arms spread. The forward momentum of the jump carries him into a long downward arc, still traveling forward as he drops — and in that same motion THE GRIFFIN (@Image 2 — eagle head with dark brown plumage and tufted ears, pale eyes, hooked gray beak, black-brown wings and tawny lion hindquarters, leather saddle and braided rope reins — sweeps up from below in a rush of wingbeats and slides beneath him mid-arc, catching him on its back. Return to real time as ERYAN @Image 1 settles onto the saddle, grabs the rope reins in both fists, and the griffin banks hard into flight. Dynamic flight: wide aerial as THE GRIFFIN @Image 2 sweeps down the canyon between the cliff walls, wingtips skimming a cascading waterfall, spray misting off its feathers. Cut to a tight side-profile tracking shot of ERYAN @Image 1 leaning low over the griffin's neck, wind tearing at his hair, a wide grin breaking across his face, breath visible. Cut to a low hero shot of THE GRIFFIN @Image 2 from ahead, wings at full span, powerful downbeats, eyes fixed forward. Cut to an over-the-shoulder from behind ERYAN as the valley opens ahead — waterfalls, pines and misted mesas streaming past below. The griffin rises through a shaft of golden light and levels into a long glide over the ridge. Faces, wardrobe, feather patterns and proportions locked to the reference sheets, lighting and landscape matched to @Image 3. SFX: pounding footsteps and scattering grit, the whoosh of the leap, a heavy thunder of wingbeats, rushing wind, distant waterfall roar, Eryan's laughing breath, creaking saddle leather. Cinematic 4K, subtle filmic grain, accurate feather and cloth physics, natural motion, no music, no text, no watermark, no CGI plasticity

角色引用： [IMAGE REFERENCE 1] [IMAGE REFERENCE 2] [IMAGE REFERENCE 3] [IMAGE REFERENCE 4] [IMAGE REFERENCE 5] [IMAGE REFERENCE 6] [IMAGE REFERENCE 7] [IMAGE REFERENCE 8] [IMAGE REFERENCE 9] [IMAGE REFERENCE 10] [IMAGE REFERENCE 11] 【角色锁定】 全片画面中总共只有十一个人，不多不少：十位舞者和一位主持人。每张参考图对应且仅对应一个人物，每个人物只出现一次。禁止重复的脸，禁止近似双胞胎，禁止额外舞者，禁止背景伴舞。每个角色在整个镜头中始终保持参考图中的脸型、发型、体型与全套服装，分毫不差。 [IMAGE REFERENCE 11] 是主持人，手持细长的电视直播话筒。十位舞者组成五对固定舞伴，每对固定在舞池中属于自己的区域： 第一对：[IMAGE REFERENCE 1] 与 [IMAGE REFERENCE 2]，前区左侧。 第二对：[IMAGE REFERENCE 3] 与 [IMAGE REFERENCE 4]，前区右侧。 第三对：[IMAGE REFERENCE 5] 与 [IMAGE REFERENCE 6]，舞池中央。 第四对：[IMAGE REFERENCE 7] 与 [IMAGE REFERENCE 8]，后区左侧。 第五对：[IMAGE REFERENCE 9] 与 [IMAGE REFERENCE 10]，后区中央，压轴主打舞伴。 除舞蹈动作的自然移动外，各对舞伴始终停留在自己的区域内，任何一对都不会穿越其他舞伴的区域。 【场景】 一座盛大的电视直播交际舞比赛舞台，黄金档综艺级制作水准。镜面拼花舞池地板，规模紧凑而亲密，五对舞伴彼此距离较近地共舞。阶梯式观众席在两侧没入黑暗，坐满轮廓模糊的剪影观众，面部永远不会清晰呈现。评委席位于画面边缘，被柔和的轮廓光勾勒。空气中悬浮着细腻的舞台薄雾。画面中没有任何标识、商标、字幕条，没有任何屏幕文字或图形。 【动作】 阶段一，开场介绍：主持人 [IMAGE REFERENCE 11] 独自站在舞池边缘、评委席旁，面对镜头说出唯一一句充满活力的欢迎词。主持人只用英语说话，口型与英语台词完全同步："Ladies and gentlemen, your favorite A.I. Stars!" 这是全片唯一的一句台词。 阶段二，开舞信号：说到最后一个词的同时，主持人拍手一次。十位舞者早已按五对站位分布在舞池中，随即进入交际舞握持姿势，整齐划一地开始起舞。主持人向后退出画面，此后不再出现。 阶段三至七，逐对巡礼：镜头严格按顺序依次拜访五对舞伴，从第一对到第五对。每对舞伴都获得充裕、从容、不被催促的镜头时间，完整展示各自的舞蹈段落。镜头到达每一对时推近成特写：闭式舞姿中的面部、紧扣的双手、镜面拼花地板上的步法，近距离捕捉舞蹈进行中的握持、旋转、下腰与托举，在表演细节上停留之后再缓缓拉开，滑行至下一对。当某一对被聚焦时，其余舞伴在背景中持续跳舞但保持柔和虚焦，始终不会变得清晰锐利。 阶段八，压轴时刻：第五对舞伴 [IMAGE REFERENCE 9] 与 [IMAGE REFERENCE 10]将舞蹈推向超越常规交际舞技巧的华丽魔幻时刻。在他们最后一个托举中，脚下的镜面地板绽放出光芒，一道金色火花光带缓缓盘旋着从拼花地板升起，环绕这对舞者，托举在空中悬停的时间比重力允许的多出一拍。剪影观众瞬间沸腾，起立欢呼、疯狂鼓掌。镜头在这对舞者与沸腾的观众反应上停留，随后在掌声最高点硬切黑场。 【摄影机】 全片一个不间断的连续长镜头，零剪辑。斯坦尼康稳定器以腰部高度滑行，数字电影摄影机，35mm球面定焦镜头，16:9电视直播画幅。在每对舞伴处重复同一套运动语法：以轻快的舞曲节奏在舞池中平滑横移，缓慢推近并落定为约f/2.0的浅景深特写，只聚焦当前这一对舞者，在面部、双手与步法上停留，随后拉开至约f/4的较深景深感，滑行前往下一个区域。全程运动流畅稳定，禁止甩镜头，禁止变速，禁止手持晃动。彩色光束扫过镜头时产生柔和克制的镜头光晕。 【灯光】 一束暖白色追光始终跟随镜头当前聚焦的那对舞者，保证肤色自然、面部造型清晰。洋红、青绿与琥珀色的摇头电脑灯光束扫过舞池上方的薄雾，形成清晰可见的体积光束。镜面拼花地板将光束与舞者倒映成流动的彩色光带。观众席处于深沉的阴影中，只有微弱的冷色轮廓光勾勒剪影。评委席带有柔和的琥珀色边缘光。灯光随编舞轻柔变化，并在压轴魔幻时刻骤然增亮。 【音频】 开启原生音频。主持人唯一的一句台词只用英语说出，全片所有人声均为英语：禁止中文语音，禁止普通话，禁止额外的旁白或播报声，禁止带歌词的演唱。台词结束后，现场演奏的欢快交际舞管弦乐作为场内音乐贯穿全片，叠加舞池现场真实环境声：鞋跟与舞步敲击拼花地板声、旋转与下腰时裙摆布料的摩擦声、低沉的观众私语声，并在压轴时刻爆发为雷鸣般的掌声、欢呼与口哨。 【风格】 光鲜亮丽的黄金档电视直播质感，明亮饱和的调色，观众席保持浓郁的黑色层次，高度精致的制作水准，舞者全程处于连续流动的舞蹈之中。画面中禁止任何屏幕文字、字幕、字幕条、水印，不得出现任何中文或英文字符。硬切结尾。

FORMAT: 15s / 145 BPM / 15 SHOTS / beat-synced routine SUBJECT: @[image1] < ATTACH YOUR IMAGE. WARDROBE: Sleep tee and lounge shorts at home. Tailored jacket, fitted top, trousers, and lace-up shoes outside. ENVIRONMENT: Tiny apartment, bright fridge glow, rain-dusted hallway, chrome metro, clean office, then a bedroom in cool window light. Everything feels glossy and lived-in. MOOD: Late-for-work panic, clipped momentum, breathless urgency, then an exhausted exhale. MUSIC: Fast percussive electro-pop COLOR LOGIC: Hyperreal Pop Look STYLE: Ultra-Realistic. LOGIC RULE: Keep logical consistency in wardrobe, props, locations, and action continuity across all shots. SHOT 1: ECU, 85mm push-in / 06:50 on the phone screen as it shakes on rumpled sheets. / SFX: alarm, sheet rustle. SHOT 2: WS, 35mm handheld jolt / Rhythmic cut into her jolting upright through side light, throwing the blanket aside, and planting her feet on the floor in one rushed motion, still in a soft sleep tee and lounge shorts. / SFX: mattress bounce, blanket whip, sharp breath. SHOT 3: MCU, 50mm slide / Cut on action into face wash at the sink, droplets catching the top light. / SFX: faucet rush, water slap. SHOT 4: Insert shot, 85mm rack focus / Match cut into the toothbrush held at a natural forward brushing angle against the front teeth, hand relaxed and upright, mint foam and mirror eye. / SFX: bristle scrape, sink drip. SHOT 5: Interior fridge view, 24mm wide / Object pass into the camera inside the fridge looking out as the door snaps open and her hand darts in, blue fridge light framing a hurried grab for breakfast ingredients. / SFX: fridge hum, bottle clink, shelf rattle. SHOT 6: Insert shot, 50mm handheld / Rhythmic cut into eggs and toast hitting the pan under warm practical light. / SFX: butter sizzle, chop tap. SHOT 7: MCU, centered 50mm push-in / Match cut into one rushed bite, a quick clock glance, and an immediate rise from the chair. / SFX: crunch, ceramic clink, chair scrape. SHOT 8: Bird's-eye insert, 35mm overhead / Cut on action into striped socks snapping on. / SFX: fabric stretch, heel tap. SHOT 9: MS, 35mm pivot / Camera wipe into a rushed outfit change as the sleep tee disappears under a fitted top and tailored jacket, then her tote, keys, and transit card get scooped up in one messy grab. / SFX: fabric whip, key jingle, zipper pull, bag rustle. SHOT 10: Insert shot, 50mm overhead / Match cut into lace-up shoes slamming on as the laces yank tight in one impatient pull. / SFX: sole thump, lace tug, short breath. SHOT 11: WS, 24mm parallax / Whip pan transition into her, now in the tailored outside outfit, rushing through the apartment door into corridor light without breaking stride. / SFX: latch click, rapid footsteps, hallway air. SHOT 12: MS to CU, 35mm glide into 85mm push-in / Sound bridge into the metro car interior only as she grips the pole, shifts with the carriage sway, checks the passing station lights, and snaps a tense glance toward the closing doors, reflected chrome streaking around her and the city smearing outside the window. / SFX: rail clatter, carriage screech, door warning chime, tight breath. SHOT 13: Insert to MCU, 50mm snap zoom / Smash cut to the office entrance as her access card hits the reader, the glass door unlocks, and she slips through fast before the chair roll and laptop open. / SFX: badge beep, door click, laptop chime. SHOT 14: OTS, 35mm handheld / Rhythmic cut into fingers racing across keys, chat windows blinking, coffee by the trackpad, and notifications stacking faster than she clears them. / SFX: keyboard burst, notification ticks, mouse click. SHOT 15: WS, 50mm pull-out / L-cut with a match from laptop close to apartment re-entry as the jacket drops, work clothes peel away, and she changes back into sleepwear before collapsing into bed in the opening frame shape. / SFX: door shut, bag drop, fabric rustle, blanket rustle, room tone.

A cinematic ultra-luxury car advertisement featuring a sleek premium luxury sports sedan in metallic black. The video opens with an extreme close-up of the LED headlights turning on, followed by dramatic reflections across the sculpted bodywork under premium studio lighting. The camera smoothly showcases the car from multiple cinematic angles: a front hero shot highlighting the bold grille, a low side tracking shot emphasizing the aerodynamic profile, a rear three-quarter angle revealing the signature taillights, a close-up of the alloy wheels spinning slowly, and detailed macro shots of the luxury interior including the leather seats, steering wheel, digital dashboard, and ambient lighting. Midway, the car rotates gracefully on a glossy reflective floor while soft light glides across the paint, emphasizing every curve. The final hero shot features the car centered under dramatic lighting with a slow cinematic push-in, showcasing its premium design and craftsmanship. Ultra-realistic, photorealistic, luxury automotive commercial, 8K HDR, premium studio lighting, shallow depth of field, smooth cinematic camera movements, glossy reflections, minimalist luxury aesthetic, no people, no text, no watermark, 10 seconds, vertical 9:16, high-end automotive advertisement style.

Low-angle tracking shot following a woman in a black tactical outfit walking down a wet neon-lit city street at night. Suddenly, a giant, translucent pink gelatinous slime monster with an adorable anime face materializes on the wet asphalt, splashing pink liquid.High-speed action shot. The giant pink slime monster swings a massive gelatinous arm at the woman. The woman smoothly executes a low combat slide across the wet pavement, narrowly dodging the attack as cars pass by in the background.Dynamic slow-motion shot. The woman leaps high into the air against the backdrop of neon skyscrapers. In mid-air, she draws a futuristic sci-fi sword that ignites with a glowing neon-blue energy blade.Close-up action shot. The glowing blue energy sword slices deep into the translucent pink slime monster, causing pink liquid and gelatinous bubbles to violently splash and spray toward the camera.Fast-paced combat sequence. The woman lands on top of a car hood, leaps off, and spins in the air, delivering a powerful downward slash with her glowing blue sword right into the center of the giant pink slime monster.A sudden flash of white light transitions into a bright, modern corporate office. The woman is sitting at her office desk in a professional blue button-down shirt, looking stunned. She is holding and stretching a small, harmless piece of pink slime toy with the exact same cute anime face. Her coworkers in the background look at her with confusion.

BROADCAST TYPE: Live business news report covering a sudden stock market crash during trading hours. ON-AIR REPORTER: Female journalist, early 30s. Sharp blazer, earpiece, handheld mic with financial network logo. Composed but visibly tense. LIVE BROADCAST TIME: 11:20 AM. Bright daylight, glass-walled trading floor visible behind glass partition. REPORT LOCATION: Outside a stock exchange building. Digital ticker boards flashing red numbers. Traders visible through windows, gesturing anxiously. Passersby stopping to check phones. BROADCAST CAMERA: Steady tripod-mounted main shot with a secondary handheld cutaway camera. Occasional quick zoom to ticker board numbers dropping. Reflections of red digital numbers on glass. LIVE SEGMENTS: Opening: Reporter explains the sudden index drop and market panic. Update: Camera cuts to trading floor screens showing plunging graphs. Eyewitness Moment: A trader stepping outside briefly comments on the chaos. Situation Change: Ticker shows a fresh plunge, reporter reacts live to the number. Closing: Reporter signs off, noting market will be watched closely into afternoon. LIVE AUDIO: Muffled trading floor shouting, city traffic, notification pings from nearby phones, reporter's controlled voice, no music. BROADCAST REALISM: Genuine tension, traders ignoring camera, real-time number changes driving reactions, natural interruptions from passersby glancing at screens.

The subject is based on @ image1. Face shape, features, skin tone, damp slicked-back short black hair, black satin cami dress, layered silver necklace, and silver earrings must match @ image1 exactly — no facial distortion allowed. Ignore @ image1's white studio background, frontal standing pose, and bottom text. Even if the image quality is rough, the facial features should remain clearly recognizable. 9:16 vertical format. The entire clip should have the low-quality look of an old iPhone everyday video. Rough noise and compression artifacts persist throughout. Early summer dawn on a rooftop — the sun already harsh, the air still and humid. 0-4 seconds: Hanging wet laundry on a rooftop clothesline, morning light harsh and already bright, wiping sweat from her forehead with her wrist as she reaches up to clip a sheet. 4-8 seconds: Ducking back into the stairwell shade, leaning against the doorframe — a long exhale of relief from the shadow's coolness. 8-12 seconds: Standing selfie angle against the backdrop of damp hanging laundry, low and slightly husky voice saying "…doing laundry before it gets too hot. Yeah." (Korean: "…너무 더워지기 전에 빨래하는 거예요. 네.") 12-15 seconds: Looking out at the hazy city skyline beyond the rooftop railing, a hanging sheet rippling in the wind behind her, the frame trembling slightly, final frame freezes. Camera: 1–1.5 second loose/casual cuts. Old iPhone handheld vertical shooting, slight body sway, autofocus hunting in changing light, harsh sun causing exposure flicker between shade and direct light. Sound: No background music. Ambient city hum as base layer, fabric flapping in wind, distant traffic murmur, faint birdsong, voice close-up but slightly muffled. Style: Uncolored, low-quality phone video texture. No color grading, no film look, no cinematic look, no beauty filter, no CG texture. Preserve authentic skin texture (pores, flyaway hairs, sweat sheen). No merging shots or skipping scenes. No on-screen text.