Kling 3.0 مولّد الفيديو

Main Subject: Young Korean woman, early 20s, vintage film camera around her neck, oversized cardigan, wide-leg jeans, curious observant expression. Location : Quiet older Korean city street lined with small brick buildings, late afternoon. Cracked pavement, old signage, potted plants outside doors, soft autumn leaves scattered. No modern shops, no crowds. Visual Style : Realistic exploratory documentary tone, curious and nostalgic, warm autumn lighting. Camera Style : Late 1990s VHS camcorder, handheld wandering movement, autofocus hunting on textured walls, warm color cast, soft grain. No stabilization. Timeline (15 sec, each slot = 2 compressed beats): 00:00–00:03 → She walks slowly, then stops to frame a shot with her film camera. 00:03–00:06 → She snaps a photo, then checks the camera's dial thoughtfully. 00:06–00:09 → She crouches to photograph fallen leaves, then smiles at the result. 00:09–00:12 → She turns to camera saying "이 골목 사진 찍기 딱 좋다" ("This alley is perfect for taking photos"), then continues walking. 00:12–00:15 → She glances back once, saying "다음에 또 오자" ("Let's come again next time"), then disappears around a corner. Audio : Leaves crunching underfoot, distant wind, faint camera shutter click, quiet street ambience. Her dialogue as noted above. No music. Goal : A curious, nostalgic photography stroll reflective, warm, genuine.

15 seconds, 16:9 cinematic, single continuous handheld close up shot, slow subtle push-in, no cuts. Global setup: Intimate emotional drama scene, soft natural lighting from a nearby window, slightly desaturated color grade, shallow depth of field with soft background blur. Setting: a quiet living room at dusk, muted blue grey light mixing with a single warm lamp. Subject: a woman in her late 20s, simple clothing, seated on the edge of a couch, holding something small in her hands (an old photograph). Ambient sound: quiet room tone, her breathing, soft distant rain against a window, faint melancholic piano underneath. [0:00–0:03] She sits still, looking down at the photograph in her hands, eyes glistening, jaw tightening as she tries to hold composure. Slow push-in on her face. [0:03–0:06] Her breath catches, a single tear falls, voice trembling, she says quietly, "I just... I wasn't ready to say goodbye." She wipes her cheek quickly, almost embarrassed by the tear. [0:06–0:09] She looks up briefly, eyes red, voice breaking further, "Everyone keeps saying it gets easier. It doesn't feel like that yet." A shaky exhale, she presses her lips together. [0:09–0:12] She looks back down at the photo, thumb gently tracing its edge, whispers, "I just miss you. That's all." Her shoulders drop slightly, a quiet release of tension rather than a breakdown. [0:12–0:15] She closes her eyes, takes a slow breath, holds the photograph to her chest, a faint sad smile forming despite the tears. Soft fade to black. Style: naturalistic acting, realistic tears and skin tone, restrained emotional performance (not exaggerated), cinematic but grounded, no over stylized filters. Constraints: consistent character appearance and lighting throughout, natural lip sync to dialogue, no distorted facial features, no text overlays, subtle and believable emotional pacing throughout

Duration: 10 seconds Style: Ultra-cinematic, photorealistic IMAX realism, continuous single shot, no cuts. --- Character & Setup Use @Image1 as the identity reference. Preserve the exact facial identity, facial structure, hairstyle, skin tone, and proportions throughout the entire sequence. His face is bruised with a small streak of blood at the corner of his mouth. He looks exhausted after battle. During the transformation, he shows restrained pain with only a slight frown—no exaggerated screaming. Armor design is inspired by @Image2. His clothing is battle-damaged, torn, dusty, and partially burned. In his right hand he tightly grips a glowing Holy Ring Crystal Core radiating intense white-blue divine energy. Environment Apocalyptic Jakarta under a dark overcast sky. Ruined skyscrapers, burning buildings, drifting ash, smoke, flying debris, distant fires, and flaming meteors crossing the sky. Cold grey-blue cinematic color palette with dramatic atmosphere. Visual Style Photorealistic cinematic realism, IMAX-quality visuals, 35mm Panavision lens, handheld camera with subtle breathing movement, compressed shadows, highly detailed textures, slight edge softness, natural film grain, grounded realism. Thousands of glowing feathers physically assemble the armor with a powerful divine aura, combining biological pain with advanced alien technology. --- 0–2.5s — Fall The hero crashes violently into broken concrete and rubble, creating a powerful dust explosion. The handheld camera shakes from the impact. He slowly rises to one knee, breathing heavily while staring at the glowing Holy Ring Crystal Core in his right hand. 2.5–5s — Awakening He quietly whispers, "Berubah!", then crushes the crystal. A blinding white-blue beam erupts into the sky. Thousands of glowing feathers materialize and spiral around him. They wrap around his arm, chest, and entire body. His eyes become pure white as a faint golden halo symbol briefly appears behind him. 5–7.5s — Transformation Sacred energy explodes outward. White smoke, golden sparks, and streams of blue energy surround him. Feather light solidifies into mechanical armor components that rapidly lock onto his torso, arms, legs, and shoulders with satisfying metallic clicks. The camera circles smoothly around him during the transformation. 7.5–10s — Completion The transformation completes into magnificent white-platinum armor with pearl-like metallic surfaces, elegant golden engravings, and glowing blue energy flowing through every armor seam. Massive mechanical angel wings unfold dramatically, scattering thousands of glowing feathers. A radiant halo appears behind him while a transparent energy helmet forms over his face. Two blazing holy energy blades materialize in his hands. The camera pulls back to a low-angle full-body shot as divine energy lifts rocks and debris into the air. In the final second, the armored angel launches straight upward at incredible speed, blasting out of frame as the camera violently shakes from the shockwave.

Anime cooking short film, Ghibli food aesthetic, warm golden kitchen light, potted plants in background, cozy apartment kitchen, 16:9. A series of rapid close-up macro shots: hands tearing open a spaghetti packet, dry pasta strands falling into a ceramic bowl, a large pot of water coming to a rolling boil with blue flame underneath, hand pouring salt crystals into the boiling water, spaghetti being lowered into the boil and bending into the water, diced guanciale hitting a hot sizzling pan with fat rendering, two vivid orange egg yolks trembling in a small ceramic bowl, hand grating pecorino cheese in slow motion like falling snow, fork whisking egg yolks and cheese into a thick glossy mixture, a ladle scooping steaming starchy pasta water, stream of pasta water being poured into the egg mixture making it glossy, spaghetti being tossed in the pan coating every strand in sauce, extreme macro on a single spaghetti strand glistening with carbonara sauce, spaghetti twirled into a perfect nest on a white ceramic plate with steam rising, hand grating a final mountain of pecorino over the finished dish like snowfall. Each shot lasts under one second, cinematic food film pacing, hyper-detailed anime illustration, warm amber tones throughout.

TITLE BLACK HAWK DOWN FORMAT 15 seconds | 16:9 | Live-action military rescue drama Fictional dramatization. Documentary-style visual realism. SETTING A fictional conflict zone where a military UH-60 Black Hawk has crash-landed after sustaining damage during an evacuation mission. Rocky desert valley with scattered boulders, burning wreckage, drifting dust and distant smoke columns. Time: late afternoon approaching sunset. Hot dry air with believable battlefield ambience. FORCES Military rescue team securing the crash site while hostile forces remain concealed around surrounding terrain. Maintain consistent uniforms, tactical gear, vehicles and character identities throughout the sequence. Grounded human behaviour. STORY 00–04s — ESTABLISHING Wide documentary shot reveals the crashed UH-60 Black Hawk resting at an angle with damaged rotor blades and smoke rising from the fuselage. Scattered equipment surrounds the wreck. Rescue team cautiously advances toward the helicopter. Camera slowly pushes forward from a believable embedded-documentary position. Natural wind moves dust, smoke and debris. 04–08s — TENSION Handheld perspective follows soldiers moving between rocks toward the helicopter. A crew member signals from inside the wreck while another provides security. Short hand signals and brief shouted commands. Camera follows behind with realistic footsteps, breathing, framing corrections and natural motion blur. Dust reacts naturally beneath movement. 08–12s — CLASH Incoming distant fire forces the rescue team to take immediate cover while continuing extraction. Personnel move urgently between rocks and the helicopter. Nearby impacts throw dust into the air. Geography remains readable and consistent. Camera reacts naturally instead of anticipating events. No graphic injuries or gore. 12–15s — AFTERMATH Rescuers begin pulling survivors away from the wreck while others provide security. Smoke drifts across the crash site. The damaged helicopter burns quietly in the background. Camera settles behind cover. One rescuer briefly looks back toward the aircraft. End on unresolved tension. CAMERA Grounded conflict-documentary cinematography. Wide environmental coverage. Medium handheld following shots. Brief close reaction shots. Natural handheld instability. Realistic operator movement. Plausible camera positions. No impossible drone transitions. No excessive slow motion. LIGHTING Natural late-afternoon sunlight. Warm golden light filtered through smoke and dust. Realistic exposure adaptation. Detailed shadows. Natural highlight roll-off. No artificial rim lighting. PHYSICS Real gravity and momentum. Believable equipment weight. Damaged rotor blades remain stationary. Dust reacts to footsteps. Smoke follows natural airflow. Loose debris behaves realistically. Authentic interaction with rocks, wreckage and terrain. HUMAN PERFORMANCE Restrained behaviour under extreme stress. Heavy breathing. Quick visual checks. Controlled communication. Natural hesitation. Urgency without heroic posing. AUDIO Dry desert wind. Burning helicopter crackling. Boots on gravel. Equipment movement. Short tactical commands. Distant gunfire and impacts with realistic acoustic delay. Occasional metallic creaks. No oversized Hollywood trailer effects. VISUAL CHARACTER Photorealistic live-action. Conflict-documentary realism. Natural skin texture. Authentic military uniforms and equipment. Realistic aircraft damage. Subtle sensor noise. Natural motion blur. Imperfect handheld framing. Avoid: video-game aesthetics CGI appearance excessive HDR oversaturated fire impossible explosions floating debris perfectly choreographed movement beauty-filter faces graphic gore CONTINUITY Maintain character identity, uniforms, equipment, helicopter damage, terrain and lighting between shots. Preserve geographic orientation and screen direction

Ultra-cinematic Pixar-style 3D animation, adorable chibi version of Erling Haaland with long blond ponytail, fair skin, rosy cheeks, expressive blue eyes, wearing a red long-sleeve shirt, navy apron, pink rubber gloves, and a white hairnet, traditional Korean hanok courtyard, warm autumn afternoon sunlight, authentic kimchi-making station, ultra-detailed vegetables, realistic food textures, cozy atmosphere, shallow depth of field, HDR, 8K, one continuous sequence. The scene opens with the adorable chibi football star standing behind a large wooden bowl filled with freshly seasoned napa cabbage. Around him are baskets of fresh napa cabbage, green onions, garlic, ginger, red chili flakes, and traditional Korean earthenware jars. He enthusiastically mixes the kimchi seasoning by hand, folding every cabbage leaf carefully with exaggerated cute movements while smiling. The camera slowly circles around him as he continues preparing the kimchi with genuine curiosity. His ponytail gently sways in the breeze while sunlight creates soft highlights across the courtyard. Every ingredient appears vibrant and highly detailed with realistic textures. Curious about the flavor, he picks up a freshly seasoned piece of kimchi and carefully brings it toward his mouth. The camera cuts to an intimate close-up as he takes his first bite. His eyes widen in surprise from the spicy kick, cheeks puff slightly, eyebrows lift, and he freezes for a brief moment while processing the intense flavor. A second later, his expression transforms into pure delight. He smiles broadly, his eyes sparkle with excitement, and he happily nods in approval. He laughs warmly while pointing at the kimchi as if telling everyone how delicious it is. The camera pulls back to reveal the beautiful traditional courtyard filled with earthenware jars and colorful ingredients. He proudly places both hands on his hips, then raises one gloved hand with a cheerful thumbs-up toward the camera, beaming with satisfaction. Style: Pixar-quality 3D animation, ultra-realistic food rendering, cinematic storytelling, wholesome, cozy Korean cultural atmosphere, expressive facial animation, physically accurate lighting, smooth camera movement, premium animated commercial, masterpiece, vibrant colors, ultra-detailed textures, 8K HDR.

{ "video_prompt": { "reference_images": { "image_1": "Main character — lock face, skin tone, body type, long straight black hair, white sleeveless top, black fitted mini skirt, black pointed heels. Keep identity consistent throughout.", "image_2": "Storyboard sheet — follow shot pacing, framing, camera moves, lighting, 2000s mood only. Do not reproduce panels/text/grid." }, "style": { "format": "early 2000s MiniDV camcorder footage", "camera": "handheld, shaky, constant reframing, subject drifts to frame edge", "focus": "autofocus hunting/pulsing, lens breathing", "exposure": "unstable auto-exposure", "color": "faded, low-contrast, blown highlights, digital noise, interlaced look", "stabilization": "none, no modern color grade" }, "setting": { "location": "quiet Korean residential alley", "details": "concrete alley, low houses, clotheslines, potted plants, parked bikes, tangled wires, trees", "light": "soft overcast morning light" }, "duration_seconds": 15, "shots": [ { "id": 1, "action": "sits on stone steps, fixes hair, wind blows, smiles", "camera": "focus hunting/pulsing" }, { "id": 2, "action": "follows into alley, crouches to greet small toy poodle", "camera": "handheld crouch-follow" }, { "id": 3, "action": "waters potted plants by low wall, leaves sway", "camera": "shaky, refocusing" }, { "id": 4, "action": "leans on iron gate holding coffee, watches street", "camera": "loose side drift" }, { "id": 5, "action": "close-up, waves off-screen, says 'annyeong'", "camera": "half-beat delayed follow" }, { "id": 6, "action": "tracked walking, notices camera, smiles, cuts to black mid-motion", "camera": "slow follow" } ], "dialogue": "안녕 (only line, once)", "sound": "birdsong, wind, distant motorcycle, dog, coffee cup, footsteps, one 'annyeong', no music", "avoid": ["jitter", "warped limbs", "identity drift", "temporal flicker"] } }

The Last Stand Duration: 15 seconds Style: Ultra-realistic cinematic, historical medieval warfare, photorealistic, 9:16 vertical, 4K, 60fps, realistic combat, dramatic lighting, movie-quality visuals, no fantasy, no magic. 0–3s: A sweeping drone shot reveals a narrow mountain pass at dawn. A lone medieval warrior in battle-worn steel armor stands with a longsword and round shield, facing dozens of enemy soldiers marching toward him through the rocky valley. Cold wind blows his torn cloak as dust drifts across the ground. 3–6s: The camera moves to a close-up of the warrior's determined face. He tightens his grip on the sword, plants his feet, and raises his shield. The enemy breaks into a full charge, their footsteps echoing through the mountains. 6–10s: The first attackers reach him. He blocks heavy sword strikes with his shield, counters with swift, realistic sword movements, and forces enemies backward. Steel clashes, sparks fly, dust rises, and the narrow pass prevents the army from surrounding him. 10–13s: The warrior breathes heavily, his armor scratched and covered with dirt. More enemies continue advancing. He refuses to retreat, taking another defensive stance while the camera circles around him in dramatic slow motion. 13–15s: The camera pulls back to reveal the lone warrior still standing against the overwhelming army, silhouetted by the rising sun. The enemy hesitates for a brief moment as the screen fades to black. Cinematic Keywords: Ultra-realistic, historical accuracy, practical armor, realistic sword fighting, volumetric lighting, dramatic sunrise, mountain battlefield, handheld camera, cinematic slow motion, high-detail textures, immersive sound design, 8K quality, masterpiece.

Scene 1 (0:00-0:02) — Nobody Notices: Tournament montage — hero always visible on pitch, cameras always following other players. Always there, always overlooked. Commentator voices name others around him. Scene 2 (0:02-0:04) — Final: He Wakes: Opening whistle of the final. Slow push-in on his face — something shifts behind his eyes. The invisible man decides today is the day. 85mm, shallow DOF. Scenes 3-5 (0:04-0:10) — Suddenly Visible: Body feint past USA so sharp the camera operator is slightly late — late pan visible. Heel roll Belgium, crowd notices. 360 Argentina — orbit camera only just catches it. France spin. Norway nutmeg — commentator says his name for the first time. Ground-level tracking, fast whip-pans, speed ramps. Scene 6 (0:10-0:12) — The Chip Nobody Saw: Brazil GK set. Hero chips in slow motion — 0.2x speed. Broadcast camera slightly late to follow. Ball already in the air before anyone is looking at the right place. Scenes 7-8 (0:12-0:15) — Now Everyone Sees & The Name: Ball hits net. Every camera in the stadium turns to him simultaneously — all lenses pointing at once. He stands completely still, calm, unsurprised. Trophy lift. Commentator says his full name correctly for the first time. Stadium chants it. He smiles. Visual consistency: same face, jersey number 10, consistent throughout. Camera work intentionally slightly late in early action scenes. No logos. ARRI Alexa 35.

严格按参考分镜顺序制作，不要把整张网格当成一张图。每个面板都是独立镜头，生成一段15秒、手持手机自拍感的韩国情侣旅行 Vlog。 男生长相参考@@@，女生长相参考@@@。全程严格保持两人的脸、发型、穿搭、身材比例和情侣关系一致，不换脸、不变人。 视频像旧 iPhone 随手拍下的私人旅行记录：轻微晃动、偶尔失焦、自然变焦、运动模糊、镜头拉丝、曝光变化和不完美构图。不要广告感、电影感或过度稳定。 内容按旅程自然推进：出发、白天游玩、吃东西、牵手散步、互相拍照、打闹、看风景，最后在夜晚街道、车内或房间温馨收尾。 甜蜜感要自然，不刻意摆拍。加入回头等对方、拉衣袖、分享食物、整理头发、靠肩、牵手、笑着躲镜头、互相看对方等细节，让人看完很羡慕。 可穿插路人、街景、车窗、食物、手部、背影、侧脸、影子和环境细节。人物不要一直看镜头，要有真实聊天、笑声和自然互动。 整体质感：低对比度、轻微褪色、自然光、真实噪点、旧手机画质、温柔韩剧情侣日常氛围。 BGM为温馨轻快的韩剧恋爱 Vlog 风格，保留风声、脚步声、街道声、海浪声、餐具声和自然笑声。 禁止字幕、文字、水印、Logo、拼贴边框、静态照片轮播、夸张亲密动作、机械摆拍、CGI和商业旅拍感。

Fisheye lens skatepark shot on a sunny day with chain-link fences and graffiti-covered ramps in the background. Camera starts low on the empty concrete bowl, then a skater in a white t-shirt, baggy jeans, and a red cap rolls into frame - standing on top of a dachshund dog that runs along like a living skateboard, its little legs pumping. The skater balances and rides the dachshund through the park with confident style. Warm summer tones, VHS-style vignette, 60fps action, humorou and surreal.

Ultra-realistic handheld iPhone home video captured during a Japanese Summer Festival (Matsuri). Use the provided reference image as the STRICT ONLY visual reference for the main woman. Maintain her exact facial identity, hairstyle, skin tone, proportions, and appearance consistently throughout the entire video. Natural smartphone recording with slight handheld shake, authentic autofocus breathing, automatic exposure adjustment, realistic motion blur, occasional imperfect framing, and genuine iPhone dynamic range. The video should feel like spontaneous vacation memories filmed by a close friend, never cinematic or staged. 0–3s Walking together beneath glowing paper lanterns through a lively festival street. A friend calls her name. She turns toward the camera, laughs naturally, and keeps walking. 3–6s The group stops at a takoyaki stall. Everyone shares food, laughs, and talks casually while the camera moves naturally between friends. 6–9s A quick group selfie. Nobody poses perfectly. Someone laughs too early, another blinks, making the moment feel genuine. 9–12s Fireworks begin in the night sky. The camera tilts upward naturally as everyone watches and smiles without looking directly into the lens. 12–15s The main woman stands beneath glowing lanterns, looks briefly toward the camera with a warm smile, then turns back to watch the fireworks. The phone slowly lowers as the recording naturally ends. Style: Authentic smartphone footage, natural human movement, realistic crowd behavior, genuine emotions, no cinematic color grading, no beauty filters, no stabilization, no AI artifacts, no duplicated people, perfect facial consistency, realistic festival ambience and smartphone microphone audio.