Veo-beschikbaarheid:Ondersteunde videomodellen

超高品質の4K高解像度リアル写真を撮ってください。ダッチアングルショット、シネマティックなカメラアングル。映画のワンシーンのように撮ってください。彼女は日本の超高級な未来風の観光列車の中に豪華な座席に座って、窓外の綺麗な風景を満喫している。車内は未来的なデザインけど和風を感じる。 極めて高品質、超詳細な質感描写、シネマティックな構図、鮮やかな色彩、マスターピース級、8K解像度

Cinematic close-up of a young woman sitting in a softly lit, neutral-toned room, facing the camera directly. Photorealistic, shallow depth of field, warm natural light. Single continuous take, no cuts, static camera (or an extremely slow, barely perceptible push-in).0:00–0:03 - She is mid-laugh: genuine warm smile, eyes crinkled with joy, relaxed and natural.0:03–0:04 - The laugh softens into a smile as she starts to speak.0:04–0:09 -She says: "Everyone loves how I laugh, but no one's ever asked what I'm laughing to forget." Her expression shifts gradually and continuously as she speaks - the sparkle in her eyes fades first, right around "but no one's ever asked," then her mouth relaxes from a smile into a neutral, thoughtful line. No sudden change; the shift unfolds smoothly across these five seconds.0:09–0:12 - Her face settles into quiet seriousness: steady direct gaze, brow slightly drawn, stillness.0:12–0:15 - She holds the serious expression in silence, one slow natural blink, camera steady until the end.Voice: natural female voice, neutral English accent, warm and light at the start, gradually softening into a quiet, grave tone by the end, matching the facial transition exactly.Negative prompt: abrupt change, jump cut, exaggerated expression, stiff face, robotic movement, sudden mood shift, subtitles, on-screen captions.

A female warrior with shoulder-length hair, the ends naturally flipping outward, pressed backward and slightly disheveled by air resistance during high-speed movement. She wears a dark, form-fitting tactical suit combining real fabric and worn metal elements, with visible water stains, dust, and signs of use. A dual mechanical grappling hook system mounted on her back, capable of firing steel cables that retract to generate pulling force. The hook tips are metal impact heads used for attaching to or striking solid structures. The cable only triggers when support is lost or during a fall, and must latch onto a solid object before generating tension. Movement relies on: sliding, stepping, grappling pull, swinging, contact, and displacement through reaction forces. A massive stone hand connected to a giant’s body (not severed, the arm extending upward into the clouds), descending vertically into frame from the cloud layer. Enormous in scale, with a weathered, rough surface, no glow, no regular structure. Each downward press carries clear weight, acceleration, air compression, and impact inertia. ENVIRONMENT: A high-altitude fractured bridge structure with wet, slippery concrete surfaces, showing water traces, cracks, and scattered debris. The bridge is heavily damaged, with irregular टूट sections, exposed and bent rebar, and hanging steel cables. Below the bridge is an empty abyss, swallowed by fog, with no visible ground. A distant city appears low and ruined, with reduced contrast due to atmospheric perspective. Lighting is overcast natural diffuse light, with a low-saturation cool color tone. MOOD: Oppression, imbalance, critical threshold, continuous motion COLOR LOGIC: Low-saturation cool gray-blue tones, strong atmospheric perspective, soft contrast STYLE: Realistic photographic texture, 35mm lens, handheld shooting with slight shake, natural depth of field, no sharpened edges, no clean CG look TIMELINE: SHOT 1 MS, 35mm, lateral handheld tracking The female warrior is sliding at high speed across the wet bridge surface, body leaning forward, center of gravity pressed onto the front foot, trailing foot dragging and kicking up water. Cracks form and the surface slightly sinks ahead of her. Above, within the clouds, the giant’s hand is already aligned with her position, accelerating downward, not yet contacting the bridge, but its shadow rapidly deepens. SFX: wind, water friction, low-frequency pressure SHOT 2 WS, 28mm, falling follow The bridge collapses completely in front of her. Her front foot steps into empty space, losing support and dropping straight down. Only after the true fall begins does she raise her arm to fire the grappling hook. The cable strikes a hanging steel cable on the right and instantly tightens. SFX: concrete fracture, metal lock SHOT 3 MS, follow The cable tension redirects her from vertical سقوط into a high-speed swing to the right. Her body arcs upward, forming a curved trajectory. At the peak of the swing, inertia causes a brief pause before rapidly reversing direction. SFX: intensified wind cut, cable tension SHOT 4 MS, push-in At the end of the swing, she releases the cable. Her landing point is a falling concrete fragment. As she steps on it, the fragment accelerates downward from the applied force, while the reaction force propels her upward, altering her trajectory. SFX: cracking, air compression SHOT 5 WS, low angle The giant’s hand slams down vertically at greater speed. She adjusts her body mid-air, narrowly passing beneath the hand. The hand impacts the bridge, generating a powerful shockwave, causing large-scale structural rupture and blasting debris and water mist outward. SFX: massive impact, structural rupture, low-frequency shock SHOT 6 CU, slow motion She is carried by the shockwave and her own inertia toward the edge of the hand. Upon contact with the hand’s surface, visible friction causes sliding. She quickly uses the grappling hook to strike a crack on the hand’s surface at close range, creating a deceleration point and adjusting direction, beginning to move toward the palm center. SFX: stone friction, low-frequency vibration SHOT 7 MS → WS Using the rough surface of the hand, she takes two accelerating steps and leaps. Her body leans forward, arm extended, about to reach the central area of the palm. The motion reaches its peak. SFX: heavy footsteps, air stretch SHOT 8 MS, continuous tracking At the exact moment she is about to reach the center, the giant’s hand recoils from inertia and slams down again, releasing another impact that blasts her off the surface. Her body spins and is thrown back toward the remaining bridge structure ahead, re-entering a sliding state. At the same time, the bridge ahead begins to fracture again, matching the opening state exactly and forming a seamless loop. SFX: impact burst,

Create a 16:9 landscape monochrome storyboard line-sketch sheet for one usucha service; show ritual precision and hide bracketed labels. [HEADER] Minimal header with crisp typography and one thin rule; show only: "One Bowl" "Precision becomes hospitality" [BOARD] Balanced 16:9 storyboard contact sheet: 16 near-equal 16:9 landscape panels, clear gutters, and natural P## reading order. Headers use `P## / compact camera angle + shot size / short beat`; aspect, count, and order outrank packing. [STYLE] Clean monochrome 2D storyboard line sketch on white paper: sparse single-pass graphite-gray contours, featureless figures, minimal construction marks, and essential set geometry. No fills, wash, hatching, shading, shadows, color, texture, 3D volume, finished art, dense lines, or facial, anatomy, clothing, and surface detail. [REFERENCES] Image A controls only Zeyn's blunt bob, head-ornament mass, earrings, and wide robe silhouette. [CONTINUITY] Zeyn stays screen-left facing the Guest screen-right; hearth and kettle remain behind her left, tokonoma back-right. Keep one of each tea utensil; the bowl front faces the Guest at P14 and away at P15. [RULES] Only header lines and panel headers are visible; no panel text, arrows, icons, insets, extra panels, duplicates, or ghost poses. [BEATS] Draw one storyboard panel per visual BEAT: BEATS: P01 / Side macro ECU / Cloth Opens: Tatami-height profile, low horizon, sleeve foreground; Zeyn's hands hold the fukusa open. P02 / High front 3/4 CU / Exact Fold: Raised three-quarter view pitched down, palm and cloth top planes visible; triangular folds rest across her hands. P03 / Top-down CU / Natsume Purified: Overhead with no horizon; the centered natsume lid meets the fukusa. P04 / Low side ECU / Scoop Purified: Tatami-height profile pitched up, scoop underside visible; fukusa encloses the chashaku shaft. P05 / High OTS MS / Warming Water: High over Zeyn's shoulder, tatami seams converging; the hishaku stream enters the chawan beside the kettle. P06 / Profile CU / Whisk Softened: Hand-height profile with low horizon; chasen tips spread inside hot water. P07 / Front 3/4 CU / Bowl Dried: Chest-height three-quarter view reveals the bowl interior; chakin contacts its emptied wall above kensui. P08 / Side macro ECU / Matcha Lifted: Shallow side view with three utensil depth planes; one measured scoop hovers above the bowl. P09 / Top-down ECU / Powder Set: Vertical overhead, chawan filling frame; two small matcha mounds sit at center. P10 / Low front 3/4 CU / Water Joined: Low three-quarter view, rim foreground and kettle behind; a thin stream meets the powder. P11 / High OTS CU / Whisk Contact: High over-shoulder view pitched down, wrist and bowl diagonal; flexed chasen tips contact liquid. P12 / Top-down ECU / Fine Foam: Symmetric overhead with no horizon; fine foam covers the bowl, chasen right of center. P13 / Side macro ECU / Final Drop: Low bowl-rim profile, chasen vertical; one drop hangs above the foam. P14 / Front 3/4 MS / Bowl Offered: Chest-height two-shot, tatami axis between them; Zeyn's palms frame the bowl with its front toward the Guest. P15 / High guest OTS CU / Bowl Turned: High over the Guest's shoulder, Zeyn opposite; both hands support the bowl with its front turned away. P16 / Low side MS / Service Continues: Low two-plane view, Guest and bowl foreground, Zeyn behind-left; the Guest inspects it as Zeyn reaches onward.

Astronaut spins in collapsing red-lit corridor, alien lunges from shadows. Whip pan reveals creature. She sprints, camera chasing through tearing walls

Create a high-end 4:3 fragrance pitch deck storyboard in 3x4 grid (12 frames), editorial layout, Aesop/Byredo style, beige + lavender palette. Structured flow: intro → ritual → transformation → resolution → closure. Each frame split: top cinematic image (no text) + bottom storyboard notes. Minimal European aesthetic, calm femininity, slow living mood. Candle is the emotional center throughout.

Bullet time effect. A businessman in white shirt and black tie slipping and falling backwards on an icy wet street in Wall Street, New York. Coffee cup standing on ground, liquid exploding outward frozen in mid-air. Ice chunks, water droplets, and coffee splash all completely suspended time is frozen. Tall buildings on both sides creating a canyon effect. The camera smoothly orbits 360 degrees around the falling man at low ground level angle, only the camera moves while everything else remains perfectly still. Cinematic, overcast dramatic lighting, wide angle lens distortion.

15 seconds, 16:9 cinematic, single continuous handheld tracking shot following the dancer, smooth flowing camera movement matching her motion, no hard cuts. Global setup: Artistic golden hour dance film. Warm low angle sunlight, soft lens flare drifting across frame, fine dust particles visible catching the light. Setting: an open field or rooftop at golden hour, tall grass swaying gently, wide open sky with warm amber tones. Subject: a young dancer in flowing lightweight clothing (loose dress or wide leg pants), expressive contemporary dance movement, fluid and graceful. Ambient sound: soft ambient instrumental music with a gentle building rhythm, wind through grass, fabric movement. [0:00–0:03] She stands still, arms relaxed, sunlight haloing around her silhouette, then begins a slow extending arm movement as the camera starts a gentle orbit. [0:03–0:06] She spins slowly, fabric flowing outward with the motion, hair catching the golden light, camera tracking smoothly alongside the turn. [0:06–0:09] She drops into a low fluid movement, reaching toward the ground then rising again in one continuous motion, dust and light particles visible around her. [0:09–0:12] She extends into a graceful leap or reach upward, silhouette framed against the golden sky, camera tilting up to follow the motion. [0:12–0:15] She settles into a final still pose, chest rising with breath, warm light flaring softly across the lens. Slow fade to white-gold light. Style: warm painterly golden hour color grade, soft natural film grain, expressive fluid movement, artistic and atmospheric rather than technical. Constraints: consistent appearance and outfit throughout, physically plausible dance movement, no distorted anatomy or limbs, no text overlays, camera motion stays smooth and continuous throughout.

Style: 3D cinematic animation, stylish museum heist comedy-action, glossy lighting, playful suspense, expressive characters, 15-second vertical video pacing, 7 quick cuts [00:00-00:02] Wide 3D shot inside a grand museum gallery at night, with marble floors, tall columns, velvet ropes, glass display cases, and a valuable painting glowing under a spotlight on the far wall. A sneaky thief in a black outfit quietly enters from the shadows, tiptoeing with exaggerated confidence. SFX: quiet museum ambience, soft footsteps, suspenseful pizzicato strings. [00:02-00:04] Low-angle shot as red security laser lines activate across the gallery like a glowing web. The thief freezes, then smirks, raising one eyebrow as if the challenge is easy. Reflections of the lasers shimmer across the polished floor. SFX: laser hum, tiny electronic beeps, playful suspense music. [00:04-00:06] Dynamic side tracking shot as the thief moves through the laser grid with feather-light motion, bending backward, sliding sideways, stepping on one toe, and twisting past the beams with dancer-like precision. His coat barely misses the lasers. VFX: glowing red laser trails, slow-motion dust particles, soft floor reflections. SFX: fabric swish, soft whooshes, light comedic drum taps. [00:06-00:08] Close-up of the thief’s face as he finally reaches the painting, looking proud and whispering, "Too easy." He gently places one hand on the frame. The painting instantly flashes with a hidden sensor light. SFX: tiny click, sudden electronic chirp, suspense music cuts. [00:08-00:10] Fast wide shot as the entire museum alarm system erupts. Red lights flash, sirens scream, and metal security shutters begin lowering. The thief’s confident smile collapses into panic. He looks around and says, "Okay... not easy." VFX: flashing red alarm lights, blinking sensors, light haze. SFX: loud alarm, warning beeps, metal shutters. [00:10-00:12] Fast handheld 3D chase shot as guards rush into the gallery from both sides with flashlights, pointing toward the thief. He tries to step back, but the laser grid reactivates behind him, blocking his escape. He slowly raises his hands with a nervous smile. SFX: running footsteps, flashlight clicks, guard shouts, alarm continuing. [00:12-00:15] Final comedic wide shot as two guards calmly surround the thief while the painting remains safely on the wall. The thief stands trapped under the spotlight, hands raised, still holding only a tiny loose piece of tape from the frame. One guard says, "Nice dancing." The thief sighs and replies, "Thank you." End on the thief looking embarrassed as the red alarm lights flash around him. SFX: siren fading slightly, comedic bass hit, final playful music sting.

Bir kedinin POV bakış açısından istanbul’da galata kulesi önündeki sokakta bir fareyi kovalaması. tek plan çekim. bazı insanlar farey görünce kaçıyor. Fare ve kedi ayaktaki ve kafede oturan insanların ayaklarının arasından geçiyorlar, hızlı ve dinamik bir kovalamaca videosu olmalı. ultra realistik ve sinematik. Belgesel sahnesi gerçekçiliğinde

“Create a premium cinematic character bible sheet for a breakdancer named AUDA. Use the uploaded character sheet as the strict visual reference for his exact face, body, proportions, hair, skin tone and outfit. Do not change his appearance. LEFT SIDE: Large bold graffiti style brushstroke text AUDA top left corner, rough and expressive, vibrant electric blue color with subtle purple shadow behind it, feels like street art. Below it small text: BREAKDANCER / THE FLOOR IS HIS STAGE. One large full height dynamic hero image of Auda directly below — mid airflare, both hands on ground, legs spinning horizontally in the air, body completely horizontal, colorful LED floor visible beneath him glowing multiple colors, dramatic strobe light hitting him from above, smoke haze in the air around him, no box no frame, directly on the white page, full energy captured in one frame. CENTER: Section labeled TURNAROUND in small clean text. Three full body views: Front, Side, Back. Same character same outfit same proportions as reference. Below: STYLE section with three small detail illustrations — gold chain, white wristband, white sneaker sole. RIGHT SIDE: Section labeled DETAILS. Grid of four clean close-up panels: Face front confident expression, Eyes bright and focused, Gold chain close-up catching colored light, Sneaker close-up on glowing LED floor tile. Below: COLOR PALETTE — white, red, gold, electric blue, hot pink. Tagline bottom right in thin bold font: EVERY FLOOR IS HIS STAGE. OVERALL: Clean white background, vibrant multicolor LED light splash behind hero pose radiating outward, electric and energetic layout, minimal clean typography, lots of white space, cinematic cel-shaded 3D anime, semi-realistic CGI, hand-painted textures, digital painting feel, hard-edge brushwork, not cartoon not Disney not Pixar, print ready”

Create an epic cinematic 3D animation/VFX camera showcase featuring a golden Garuda-like mythical warrior battling a celestial masked goddess above floating islands and glowing clouds. Demonstrate a sequence of cinematic camera techniques including extreme wide aerial shots, low-angle monster introductions, tracking circles, dynamic orbits, spirals, close-ups, and fast action angles as both characters unleash fiery orange and cyan energy attacks that culminate in a colossal mid-air beam clash and shockwave explosion. Display a 16-panel storyboard reference grid along the bottom of the screen labeled with each camera move and lens focal length, with the active camera technique highlighted by a glowing white border as the sequence progresses.