Veoの利用可否：対応ビデオモデル

Create a high-quality cinematic 30-second vertical video (9:16) for STADIUM SECRETS – EPISODE ONE, exactly matching the style, color grade, lighting, stadium, and aesthetic of Episode Zero. Photorealistic live-action footage, 4K, 24fps, shot on ARRI Alexa with natural cinematic camera movement, shallow depth of field, and subtle film grain. Every element must feel 100% real: authentic jersey fabric movement, hair physics, sweat, breathing, ball spin/trajectory, and crowd reactions. Character & World Lock (MANDATORY 100% consistency with Episode Zero): - Mia: Exact same 25-year-old athletic woman — dark wavy hair in tight high ponytail with a few loose strands, subtle scar on left cheek, intense expressive eyes, natural sweat. Same red national team kit with yellow number 7. - Spectral Figure: Exact same semi-transparent hooded elderly man with warm ethereal blue-white glow and smoky distortion. ONLY visible to Mia. Must appear in the exact same stadium/crowd setting style as Episode Zero. - Alex and teammates: Exact same faces, bodies, and kits as Episode Zero. - Stadium, sunny daylight, crowd style, and overall look must be identical to Episode Zero. STRICT RULES: - Follow the provided timing and story beats EXACTLY. Do not add or remove anything. - NO sudden appearances of any character. Every appearance must feel natural and logical: the Spectral Figure must slowly materialize with gentle ethereal glow and smoky build-up, or be revealed naturally by camera movement/panning. Never have anyone “pop” into frame. - Smooth, film-like transitions only (gentle dissolves 0.6–1s or perfect match cuts). No abrupt/jarring cuts. - Perfect logical flow and emotional clarity so a first-time viewer instantly understands the continuation, Mia’s inner conflict, and the new stakes. - Realistic physics and natural performances only. No teleporting, floating, or illogical actions. SCENE BREAKDOWN (exactly 30 seconds): 0–5s | Recall & Re-hook Direct continuation from Episode Zero’s final frame. Start with a frozen moment on Mia’s powerful shot (ball mid-air with realistic spin and motion blur) + her determined face with faint ghostly overlay. Quick flash of the text “Play… or be forgotten forever.” The ball hits the back of the net realistically — GOAL! Sunny stadium erupts with roaring crowd and waving flags. Mia celebrates with raw, mixed emotions (joy + lingering pain). Smooth cinematic motion. 5–14s | Consequence & Glory Teammates (exact same kits) realistically lift and celebrate with Mia on the pitch. Alex approaches with clear remorse and love in his eyes, reaching out to her. Tight close-up on Mia: natural hesitation, tears mixing with sweat, subtle breathing, scar visible. She pulls back, visibly torn and conflicted. Smooth dissolve transition to the Spectral Figure already present in the same stadium stands among the crowd (only Mia sees him), watching her with a proud, subtle warm smirk. The figure slowly becomes more visible through gentle glowing and smoky effect. 14–22s | Escalation & Revelation Mia makes a brilliant, realistic football play on the pitch (natural running, ball control, physics). Her focus wavers when she glances at Alex. Camera movement reveals the Spectral Figure already positioned closer beside her on the pitch edge (stadium setting, only she sees him) with slow ethereal materialization. Gentle but powerful echoing voiceover (Spectral Figure): “Whether you let him go or not… the choice is yours.” 22–30s | New Cliffhanger After the play, Alex approaches Mia again, looking remorseful. He says with emotion: “Please forgive me.” Mia’s face hardens. She slaps him sharply across the face. She turns and walks away without looking back. All teammates and crowd around them freeze in shock and surprise. Tight emotional close-up on Mia’s strong, conflicted face as she walks out. Hard cut to black. Title card in the exact same style as Episode Zero: “STADIUM SECRETS – EPISODE ONE”.

A dangerous motorcycle ice racer with frost-covered black racing gear, mirrored helmet visor, and glowing bike headlights cutting through snowstorms. Frozen arctic industrial wasteland during blue-hour twilight. Ice roads, abandoned oil rigs, frozen bridges, collapsing tunnels, snow-covered shipping containers, and blizzard visibility conditions. Dark cinematic techno with deep sub-bass pulses. Ice friction, engine roar, chain vibrations, snow impacts, and freezing wind dominate the soundscape. Ultra-realistic motorsport cinematography mixed with survival thriller aesthetics and premium winter advertising. SHOT 1: Ultra-low front tire tracking shot carving through thick ice dust at dangerous speed. SHOT 2: Whip pan into a near-crash drift around frozen industrial wreckage. SHOT 3: Wide aerial shot showing the motorcycle racing across gigantic frozen ocean surfaces between abandoned structures. SHOT 4: Long-lens jump shot over shattered ice sections while snow explodes behind the bike. SHOT 5: Circular side tracking shot during a prolonged sideways drift inches from a cliff edge. SHOT 6: Final impossible jump through a collapsing frozen tunnel during whiteout conditions. The rider lands violently, fishtails across black ice, then slowly stops beneath flickering industrial lights while snowstorm winds consume the frame. Music cuts instantly.

Create a 15 second, 16:9 realistic viral social media video that looks like authentic low resolution smartphone footage, not a polished film or AI generated scene. 0.0–8.6 seconds: A wide, elevated handheld smartphone shot from the top of a steep sandy hill overlooking a quiet natural pond. A long, bright blue plastic tarp has been laid down the entire slope like a homemade water slide, continuing all the way to the edge of the water. A shirtless, heavyset adult man wearing black knee length shorts lies flat on his stomach at the top of the wet tarp, facing downhill. Someone just outside the frame gives him a small push. He rapidly slides belly first down the slippery blue plastic, becoming smaller as he travels farther away. The phone camera remains near the top of the hill and follows him with a slightly shaky downward tilt and a subtle digital zoom. Show pale sand around the tarp, a parked white vehicle and two tiny people near the shoreline, calm grey-blue water, green marsh patches and thin trees in the distance. The man reaches the narrow final section of the tarp and shoots directly onto the surface of the pond without sinking. He unexpectedly skims across the water at high speed while still lying forward, producing two strong symmetrical trails of white spray and a long widening V shaped wake behind him. The moment should initially feel impressive, funny and believable, with realistic water physics, ripples and imperfect phone-camera focus. 8.6–9.3 seconds: Just as the man reaches the distant side of the pond, suddenly insert a crude, frightening jump-scare overlay directly in the center of the screen: a grotesque horror clown with messy orange red hair, pale cracked skin, an unnaturally wide mouth, sharp teeth and intensely glowing red eyes lunges rapidly toward the camera. The clown should appear abruptly and fill most of the frame, like an old internet prank video, with rough compositing and compressed visual quality rather than cinematic horror effects. 9.3–10.2 seconds: Hard cut to a separate handheld phone recording inside a small pink bedroom. A young woman with long straight dark hair, large clear eyeglasses and a light-colored floral dress sits casually on a bed, holding a blue smartphone close to her face as though she has just watched the waterslide video. Behind her is a pink decorated wall with hanging medals, small framed pictures, butterfly stickers and decorative writing; a pale curtain hangs on the right, and the room has a simple corrugated metal ceiling. Butterfly-print pillows are visible on the bed. The jump scare frightens her instantly. Her eyes widen, mouth opens, shoulders jerk upward, both arms fly into the air and the phone slips violently from her hands. She recoils and collapses backward against the pillows in an uncontrolled, genuinely startled reaction. Use strong natural motion blur, slight camera shake and awkward body movement. 10.2–15.0 seconds: Freeze the video on the funniest reaction frame: the woman leaning backward on the bed, mouth open, head tilted, one arm raised and the phone caught mid air beside her. Hold this exact frozen frame until the video ends, preserving the blurry compressed look of a reposted meme clip. Visual direction: Authentic amateur smartphone recording, ordinary daylight, slightly washed out colors, low bitrate, visible compression, inconsistent autofocus, mild motion blur, imperfect framing and natural handheld shake. Compose the outdoor action through the center of the horizontal 16:9 frame while showing additional pond, shoreline, sand and trees on both sides. Keep all people anatomically consistent before the jump scare. No cinematic grading, no dramatic camera orbit, no slow motion, no smooth drone movement, no subtitles, no captions, no logos, no watermark, no dialogue and no background music.

Timelapse prompt on Seedance 2 : Locked-off aerial timelapse of the exact same landscape across centuries, with the camera completely fixed and the landforms, road position, tree line, and overall composition always intact. The transformation must feel gradual, seamless, and continuous, as if generations are passing in a single uninterrupted shot. Start with a simple dirt crossroads cutting through open farmland, a few modest cottages, thin chimney smoke, and occasional horse carts. Over time, the dirt paths subtly compact and refine into clearer roads, cottages slowly expand into sturdier homes, small market activity appears, and the settlement becomes more organized without ever feeling like a sudden replacement. As decades pass, more houses fill nearby gaps, roads harden, rails and utility poles emerge carefully along existing routes, and industry grows naturally at the edges. Then the surfaces slowly shift into asphalt, vehicles replace carts in a smooth progression, buildings rise incrementally rather than appearing instantly, and the central tree matures beside a small café. In the final stage, the same streets now carry electric cars and bicycles, lighting becomes modern, rooftops gain greenery and solar panels, yet the original crossroads structure, spatial layout, and visual identity of the place remain clearly recognizable throughout, like a true generational timelapse of one living location.

Blue Hour Chemistry Jessica: Face locked from uploaded reference image. Sleek straight black hair, elegant black satin mini slip dress with tasteful thigh-high slit, black strappy heels, gold jewelry, deep red lips. Marco: Handsome Western man with deep blue eyes, dark swept-back hair, light stubble, athletic build, fitted navy shirt, tailored trousers. CUT 1 (0:00–0:04) · Luxury Penthouse Low-angle tracking shot follows Jessica walking confidently across the penthouse. The camera tilts up as she reaches the floor-to-ceiling windows overlooking the glowing skyline. She slowly turns over her shoulder. Marco enters and instantly stops, captivated. Slow Motion (40%) Close-up of Jessica's face as she locks eyes with Marco, gives a subtle smile, gently bites her lower lip for a brief moment, then turns and walks away with quiet confidence. CUT 2 (0:04–0:08) · Penthouse Lounge Jessica walks toward the suite corridor. Marco follows beside her. They exchange lingering eye contact. Their shoulders lightly brush. Their hands naturally meet before their fingers slowly intertwine. The camera smoothly circles around them. CUT 3 (0:08–0:12) · Outside the Suite Marco gently tucks a strand of Jessica's hair behind her ear. She steps closer. They hold eye contact. Slow Motion (40%) Marco leans in until only inches separate them. Jessica smiles softly. Marco (whispering): "Come with me." Jessica smiles, takes his hand, and nods. CUT 4 (0:12–0:15) · Luxury Bedroom Marco opens the suite door and gently lifts Jessica into his arms. She smiles, wrapping one arm around his shoulder. He carries her into the softly lit bedroom and carefully places her on the edge of the bed. They share one final lingering smile as the camera slowly pushes in. Fade to black. Style Luxury fragrance commercial • Romantic cinematic storytelling • Slow push-ins • Steadicam • Slow motion during emotional moments • Blue-hour lighting • Warm amber interiors • Dark R&B with soft piano and strings • Face locked to Jessica's uploaded reference image throughout.

STYLE: Miniature Tiny-Person FX, photorealistic live-action, cinematic macro photography, ultra-shallow depth of field, bright modern convenience store, realistic fluorescent lighting, ultra-detailed 8K, vertical 9:16, dynamic viral short-video style. DURATION: 15 seconds. SETTING: A huge modern convenience store packed with towering shelves of colorful snack bags, instant noodles, bottled drinks, soda cans, candy, cereal boxes, refrigerators, shopping baskets, and hanging price tags. Everything feels enormous from the perspective of a palm-sized woman. CHARACTER: One athletic miniature woman (1:15 scale), identical appearance throughout: lightweight adventure jacket, cargo pants, sneakers, utility backpack, same face, hairstyle, proportions, and size in every shot. 00:00–00:03 — Snack Shelf Swing Standing on a giant chip bag, she sprints and leaps toward a hanging price tag, grabs it with both hands, swings across the aisle, and launches onto the next shelf. The tag swings behind her. Camera: Low-angle macro tracking. SFX: Plastic crinkles, tiny footsteps, rushing air, swinging tag. 00:03–00:06 — Bottle Cap Parkour She lands on a giant drink bottle and parkours across colorful bottle caps. One bottle wobbles beneath her; she regains balance and performs a forward flip onto the next shelf. Camera: Fast side-tracking macro. SFX: Footsteps, bottle creaks, liquid slosh, hard landings. 00:06–00:09 — Shopping Basket Zipline She grabs a hanging promotional cord and ziplines above snacks and noodles. Releasing at the perfect moment, she lands inside a moving shopping basket among giant chocolate bars and noodle cups. Camera: Overhead to low-angle transition. SFX: Zipline whistle, wind, basket wheels, impact. 00:09–00:12 — Runaway Soda Can A giant soda can rolls inside the basket. She jumps onto it, balances like a surfer, and rides it across the polished floor, narrowly avoiding shoppers' shoes, baskets, and scattered snacks. Camera: Ultra-low floor-level macro tracking. SFX: Rolling metal, wind, store ambience. 00:12–00:15 — Victory Finale Using the rolling can as a launch ramp, she leaps to a freezer handle, swings up, and stands triumphantly on top of the freezer. The massive store stretches behind her as sparkling particles appear and large golden text reads: "CHALLENGE COMPLETE" She raises one fist while the camera slowly pulls back, emphasizing her tiny scale. Camera: Cinematic pullback. SFX: Leap whoosh, metallic grab, victory chime, sparkles, store ambience. VISUAL REQUIREMENTS: Maintain a consistent 1:15 miniature scale, realistic physics, smooth continuous action, photorealistic packaging, authentic reflections, cinematic macro DOF, and consistent character identity. No animation, cartoons, narration, subtitles, outfit changes, or scale inconsistencies.

Create a professional cinematic commercial storyboard in 16:9 landscape format, designed like a premium shot list presentation for a LUMIS ECLIPSE ONE premium sunglasses product ad. Overall design: Ultra-premium eyewear art direction, deep cosmic black and midnight purple background, electric violet and chrome accents, LUMIS brand aesthetic — optical precision meets sculptural wearable art, editorial bold minimal layout, sharp geometric modern typography, grid-based storyboard. 15 numbered frames in 5 by 3 grid, each with cinematic image, shot title, and CAM / SFX / MUSIC production notes. Add a top header and bottom guide. Top header: Top left LUMIS L eclipse emblem in violet. Main title in violet and white: "LUMIS ECLIPSE ONE - VOID BLACK" Subtitle: "OPTICS. SCULPTURE. LUMIS." Top center tagline: "Titanium frame. Polarised carbon lens. Hand-finished in Milan. For those who see differently. This is ECLIPSE ONE." Top right specs: "VIDEO SPECS: FORMAT: 16:9 / RESOLUTION: 4K / FPS: 24 / 120 SLOW-MO" Product and style: Main product is LUMIS ECLIPSE ONE sunglasses. Sculptural void black titanium frame with asymmetric silhouette, deep violet polarised carbon lens, chrome LUMIS L emblem at temple, hand-finished titanium hinge, ultra-thin temple arms. Lighting is dramatic — single point light source in dark void, lens catching violet and chrome refractions, titanium edge highlight only. Storyboard frames: 01 Opening Frame. Eclipse One in black suede LUMIS case. CAM: Top-down slow open. SFX: Suede case click. MUSIC: Cosmic silence. 02 Hero Product Shot. Frames flat on black mirror. CAM: Top-down static. SFX: Titanium tap. MUSIC: Single synth. 03 Titanium Frame. Sculptural void black frame macro. CAM: Macro raking edge. SFX: Metal resonance. MUSIC: String enters. 04 Carbon Lens. Deep violet polarised lens macro. CAM: Through-lens macro. SFX: Lens ping. MUSIC: Bassline. 05 LUMIS L Emblem. Chrome L at temple macro. CAM: Macro push-in. SFX: Chrome tap. MUSIC: Beat builds. 06 Hinge Detail. Hand-finished titanium hinge macro. CAM: Macro tilt. SFX: Hinge precise. MUSIC: Rhythm. 07 Lifestyle — Rooftop. Eclipse One worn on city rooftop night. CAM: Low wide lifestyle. SFX: City below. MUSIC: Full beat. 08 Through Lens POV. City seen through violet carbon lens. CAM: Through-lens POV. SFX: Ambient shift. MUSIC: Groove. 09 Fashion Editorial. Worn in high fashion editorial setting. CAM: Side profile. SFX: Studio silence. MUSIC: Build. 10 360 Void Orbit. Frames in cosmic void orbit. CAM: 360° Orbit. SFX: Cosmic whoosh. MUSIC: Drop. 11 Temple Arm Macro. Ultra-thin temple arm extreme. CAM: Extreme static. SFX: None. MUSIC: Sub-bass. 12 Lens Refraction Slow-Mo. Light refracting through lens 120fps. CAM: High-speed light. SFX: Refraction. MUSIC: Snare. 13 Milan Rooftop. Frames on Milan rooftop at dusk. CAM: Wide cinematic. SFX: City dusk. MUSIC: Swell. 14 Final Hero Shot. Frames under single point cosmic light. CAM: Low raking beauty. SFX: Single tone. MUSIC: Chorus. 15 End Frame. Violet "LUMIS ECLIPSE ONE" on void black. CAM: Static. SFX: Fade. MUSIC: Outro. Bottom section — Music Journey: COSMIC SILENCE 0:00–0:03 / SYNTH 0:03–0:08 / GROOVE 0:08–0:16 / BUILD 0:16–0:22 / DROP 0:22–0:28 / FADE 0:28–0:30 Bottom right — Camera Guide: TOP-DOWN / THROUGH-LENS / MACRO / 360° ORBIT / SLOW-MO Visual quality: Ultra detailed, premium sculptural eyewear photography, void black titanium and violet carbon lens, cosmic light precision, Milan craft heritage, wearable sculpture aesthetic, polished fashion-forward campaign quality.

A lone motorcyclist in a black leather jacket and dark full face helmet, visor down, rides hard down an empty desert highway at golden hour, throttle open, chasing the sinking sun no face visible, forward leaning and committed over the tank. Rider held in the left third of frame, three quarter angle toward screen right, road and low sun filling the right two thirds. Chase cam tracking shot, locked alongside the rider at constant distance, handheld with natural operator breath, no other vehicles in frame. Bike holds a fast steady run with a slight bounce over highway seams, leans gently into a shallow curve mid shot, then straightens back toward the sun by the end. Jacket ripples in the wind, heat shimmers off the exhaust, dust kicks off the rear tire, heat haze rises off the asphalt, sun flare pulses through the spokes. Open two lane desert highway, dry scrub, distant mesas, sky grading from deep amber to dusty blue violet, warm haze low over the road. Vintage 55mm anamorphic style lens, wide aperture, oval bokeh, light diffusion bloom, color-negative film grain, low contrast grade with soft-rolled highlights and lifted shadows, matte skin and leather with no plastic shine, 24fps 180 degree shutter, 16:9, 15 seconds. Final frame: bike receding right center, three quarter rear angle, low dust trail, huge amber sun on the horizon, empty road to the vanishing point. No on screen text, no captions, no rendered text anywhere in frame.

{ "description": "A high-speed cinematic FPV drone shot begins far above dramatic desert cliffs at early dawn. The drone dives steeply into rugged rocky canyons, skimming over sand dunes and racing between massive red stone walls. Wind lifts trails of dust as the drone accelerates, narrowly passing through natural rock arches and sunlit ridgelines. Midway, the motion gradually slows as the drone bursts out onto a wide open desert plateau, revealing a single ice-cold Red Bull can standing on a rugged stone slab, condensation visible and sparkling in the morning light. No text.", "style": "cinematic, hyper-realistic extreme sports commercial", "camera": "first-person FPV drone perspective with aggressive high-speed canyon flythrough, transitioning into a smooth, controlled slow cinematic reveal", "lighting": "early sunrise light with warm highlights, strong rim lighting on rock formations, high contrast shadows; crisp reflections and condensation highlights on the Red Bull can", "environment": "vast desert canyon landscape featuring red rock cliffs, narrow canyons, sand dunes, wind-blown dust, and an open plateau clearing", "motion": "very fast aerial movement with sharp dives, close canyon passes, and tight turns; gradually transitions into slow motion and smooth stabilization for the final reveal", "ending": "a powerful, quiet moment on the open desert plateau; the Red Bull can centered on the stone slab as the camera gently orbits and pushes in, emphasizing energy, freshness, and impact", "aspect_ratio": "16:9", "duration": "10 seconds", "text": "none", "keywords": [ "FPV drone", "ultra fast cinematic motion", "desert canyon flythrough", "hyper-realistic product reveal", "energy drink commercial", "slow motion ending", "no text" ] }

Slow-motion handheld close-up, 16:9. Shaky organic handheld shot shoving in close on an older grey-haired man in a soaked white shirt and tie, chest-deep in churning green-grey flood water clutching a glass bottle, mouth open mid-shout — while all around him a dense crowd churns: a woman shoves past his shoulder, two men wrestle a floating chair behind him, someone falls backward into the water beside him sending up a slow sheet of spray, more panicking bodies wade and thrash in the background. In slow motion water explodes across the whole frame, droplets suspended everywhere. Dynamic jostling handheld movement at water level in the thick of the crowd. Sickly institutional palette — seafoam green, cream, muted teal, cold reflective water. All faces anatomically correct, stable, realistic, genuine emotion, no warping. Heavy coarse analog 35mm film grain baked into every frame, thick and consistent, grain crawling over highlights and shadows, like a scanned celluloid film print, never clean, never digital-looking. Flat overhead fluorescent light, dramatic slow-motion intensity, cinematic photorealistic, ultra-detailed.

Create a 15-second vertical 16:9 UGC-style shampoo advertisement that feels authentic, premium, and social-media ready. A confident young woman stands in a bright, modern bathroom with soft natural morning light. She holds the shampoo bottle close to the camera, smiling warmly as if recommending it to a friend. Her hair is long, healthy, shiny, and naturally bouncy. She speaks directly to the camera: "I've finally found a shampoo that leaves my hair feeling soft, strong, and incredibly shiny. It cleans without drying, smells amazing, and honestly makes every wash feel like a salon treatment. If you're looking for healthier-looking hair, you have to try this!" Storyboard: Scene 1: Close-up of the shampoo bottle in her hand as she introduces it. Scene 2: She dispenses the shampoo into her palm, creating a rich, creamy lather. Scene 3: Beauty shots of her gently washing and massaging her hair, with realistic foam and flowing water. Scene 4: After drying, she flips her silky, glossy hair while smiling confidently at the camera. Scene 5: Final hero shot holding the shampoo beside her face with a clean, premium bathroom background. She smiles and says, "Highly recommend!" The video should have realistic smartphone camera quality, natural handheld movement, genuine facial expressions, smooth transitions, accurate lip sync, premium product visibility throughout, and a polished yet authentic UGC aesthetic. The shampoo bottle label remains sharp, readable, and consistently visible in every shot.