Veo 可用性：支援的影片模型

CAMERA: Modern full-frame digital cinema camera with handheld POV by RENA, occasionally propped on the vanity. Natural handheld movement, subtle camera shake, imperfect framing, occasional delayed autofocus, gentle zoom adjustments, face occasionally cropped. Camera never visible. LOOK: Clean, high-end digital image with soft flattering vanity lighting. Subtle bloom from vanity bulbs, realistic skin texture, shallow depth of field, cinematic dynamic range, natural colors, premium mirrorless camera quality. STYLE: Casual beauty vlog. Relaxed, chatty, slow pacing with quiet mirror moments. CHARACTER: RENA, Korean female idol in her early 20s, long straight jet-black hair with a natural center part, fair dewy skin, soft brown eyes, natural makeup with glossy coral lips. She is wearing a glamorous black K-pop stage outfit embellished with crystals and metallic details, completely covered by a professional black makeup cape draped over her shoulders, with only subtle glimpses of the sparkling stage costume visible around the neckline, sleeves, and lower body. Unseen stylist's hands occasionally enter frame to brush, section, curl, and style her hair. SETTING: A professional K-pop idol dressing room backstage before a performance, featuring a large bulb-lit vanity mirror, styling chair, hair dryers, curling irons, brushes, styling sprays, makeup products, garment racks filled with stage outfits, mirrors, and an authentic backstage atmosphere. STORYBOARD: 1. Camera is propped on the vanity. RENA smiles warmly and waves at the camera. Korean: "안녕하세요 여러분! 오늘 헤어랑 메이크업 받으러 왔어요." 2. Handheld close-up as the stylist gently separates and pulls sections of RENA's hair while preparing the hairstyle. Korean: "준비하는 데 항상 시간이 오래 걸려요." 3. Insert close-up of the stylist clipping and arranging her hair with professional tools. Ambient backstage salon sounds only. 4. Camera is propped on the vanity again. RENA smiles naturally while looking into the mirror. Korean: "이제 거의 다 됐어요." 5. Handheld close-up of RENA quietly watching the stylist through the mirror, smiling softly as the finishing touches are applied. Ambient sounds only. 6. Handheld shot as RENA uses a handheld mirror to check the back of her hairstyle from multiple angles. Korean: "뒤도 한번 볼게요." 7. Tight close-up as RENA's expression brightens after seeing the completed hairstyle. Korean: "너무 마음에 들어요!" 8. Selfie shot. RENA gives a thumbs-up, waves enthusiastically at the camera, and smiles brightly. Korean: "완성! 다음에 또 만나요. 안녕!"

BROADCAST TYPE: Live business news report covering a sudden stock market crash during trading hours. ON-AIR REPORTER: Female journalist, early 30s. Sharp blazer, earpiece, handheld mic with financial network logo. Composed but visibly tense. LIVE BROADCAST TIME: 11:20 AM. Bright daylight, glass-walled trading floor visible behind glass partition. REPORT LOCATION: Outside a stock exchange building. Digital ticker boards flashing red numbers. Traders visible through windows, gesturing anxiously. Passersby stopping to check phones. BROADCAST CAMERA: Steady tripod-mounted main shot with a secondary handheld cutaway camera. Occasional quick zoom to ticker board numbers dropping. Reflections of red digital numbers on glass. LIVE SEGMENTS: Opening: Reporter explains the sudden index drop and market panic. Update: Camera cuts to trading floor screens showing plunging graphs. Eyewitness Moment: A trader stepping outside briefly comments on the chaos. Situation Change: Ticker shows a fresh plunge, reporter reacts live to the number. Closing: Reporter signs off, noting market will be watched closely into afternoon. LIVE AUDIO: Muffled trading floor shouting, city traffic, notification pings from nearby phones, reporter's controlled voice, no music. BROADCAST REALISM: Genuine tension, traders ignoring camera, real-time number changes driving reactions, natural interruptions from passersby glancing at screens.

Move the whole fight into this pastel valley by the turquoise stream

Cinematic ultra-realistic 15-second short film, western girl in a dark jacket walking through a busy city sidewalk, natural daylight, hard shadows, shallow depth of field, shot on Arri Alexa Mini, 50mm lens. She walks confidently through moving pedestrians, phones, conversations, and pigeons flying in a bright sky. She snaps her fingers — a white spherical shockwave expands outward, freezing everything instantly: people mid-step, dust and leaves suspended, pigeons frozen mid-flight. Silence. She calmly walks through the frozen world, observing everything, gently touching a suspended pigeon. She stops in front of a fully clothed woman in a flowing red dress frozen mid-motion, studies her with a calm expression. She then snaps again — a stronger reverse shockwave restores motion across the city. Pedestrians resume walking, pigeons scatter into flight, leaves fall naturally. She turns and walks away as the camera pulls back into a wide cinematic aerial shot. Fade out.

Cinematic video of an alien with massive red eyes wearing an intricate silver metallic bird beak mask and a textured red hood. Blurred alien desert backdrop. Shot on Hasselblad H6D-400c, cinematic lighting, realistic textures, high detail, slow camera movement. Timeline Breakdown: 0-3s: Extreme close-up on the silver mask and glowing red eye. Head tilts. 3-7s: Slow camera pull-back. The textured red hood ripples gently in a desert breeze with fine dust. 7-10s: The alien slowly turns its head to face the lens directly and blinks. Cinematic light catches the ridges of the metallic beak.

15-second continuous single-shot video, ultra-photorealistic cinematic style. A young female astronaut in a detailed white spacesuit with glowing helmet lights gently tends to a thriving hydroponic garden inside a pressurized Martian habitat module. She carefully mist-sprays a row of vibrant green leafy vegetables and small red tomatoes growing under warm artificial grow lights mixed with natural sunlight streaming through large reinforced windows. Outside the windows, the rusty red Martian landscape with distant craters and a faint Earth visible in the pink sky. Slow smooth dolly-in camera movement starting from a medium shot of her focused face and hands, gradually pushing closer to the lush green plants as water droplets sparkle in the light. Soft volumetric god rays, dramatic contrast between the sterile high-tech interior and the precious living greenery. Highly detailed textures on suit fabric, condensation on leaves, realistic plant movement, subtle floating dust particles in low gravity. Photorealistic, live-action film quality like National Geographic in space, no cuts, natural gentle motion, emotional and hopeful atmosphere emphasizing life sustaining humanity on Mars.

@ Image_1 is the master character reference. Match her identity, facial structure, body proportions, hairstyle, wardrobe, accessories, revolver, colors, textures, silhouette, and overall presence exactly in every frame. No identity drift, no wardrobe changes, no hairstyle changes, no prop changes, no AI morphing, no flickering, and no inconsistencies. GLOBAL STYLE • Cinematic modern Western • Low golden-hour sunlight from camera-left • Warm amber highlights with cool teal shadows • Fine cinematic film grain • Soft halation around the sun • Long dramatic shadows • Open prairie, dusty dirt road, distant blue mountains • Rising dust illuminated by backlight • Premium Hollywood production quality CHARACTERS • The Stranger (FOCAL): Match @ Image1 exactly. • Lead Bandit: Dusty tan duster, wide-brim brown hat, red bandana covering lower face. • Three background riders: Bandana-masked silhouettes on horseback, partially obscured by dust. SEQUENCE SHOT 1 (0–3s) — HOOK Full side-tracking shot as a stagecoach races across the prairie at full gallop. Four bandits pursue on horseback while firing pistols into the air. Dust explodes behind the coach, glowing in the golden backlight. The camera tracks with the coach before whip-panning down to pounding hooves. SFX: Hoof thunder, gunshots, wooden carriage rattle, tense orchestral strings. Lead Bandit shouts: "Stop the coach!" SHOT 2 (3–6s) — RISING Low-angle tracking shot alongside the speeding coach. The Lead Bandit pushes his horse alongside, leaps onto the moving roof, struggles for balance, crawls toward the carriage door, and grips the rail naturally with realistic weight and momentum. SFX: Boot scraping wood, heavy breathing, rushing wind. SHOT 3 (6–9s) — GREED Close-up of the Lead Bandit's eyes above the bandana, followed by an extreme close-up of his gloved hand wrapping around the brass door handle. He grins confidently before yanking the handle open while riders continue racing behind. SFX: Metal latch click, quiet chuckle. SHOT 4 (9–12s) — THE REVEAL Over-the-shoulder view from behind the Lead Bandit into the dim stagecoach interior. Music stops instantly, leaving only wind and the carriage creaking. Sitting calmly inside is the Stranger, matching @ Image1 perfectly. Hat low, hands relaxed, completely motionless. She slowly lifts her eyes toward him. A sharp beam of golden sunlight cuts across her face and cow-print corset while the rest of the cabin remains in teal shadow. The Lead Bandit's confident grin disappears instantly as his eyes widen and his breathing catches. SFX: Wind, leather creak, carriage springs. SHOT 5 (12–15s) — THE BUTTON Extreme close-up of the Stranger's hand already resting on the ivory-grip engraved revolver. Focus locks on the revolver before snapping into an extreme close-up of her cold eyes beneath the hat brim. She slowly tightens her grip with all five fingers, tilts her head slightly as if silently saying, "Well, hello." Hard cut to black. SFX: Leather creak, one deep cinematic chord, single spur chime. Centered title appears: "THE LAST STAGECOACH" TECHNICAL REQUIREMENTS • 15-second duration • 16:9 landscape • Ultra-realistic live action • Hollywood Western film quality • Stable cinematic camera movement • Realistic horse animation and physics • Natural body mechanics • Accurate fabric simulation • Consistent lighting throughout • Perfect facial consistency using @ Image1 • Straight geometry and natural proportions • No AI artifacts • No flickering • No morphing • No duplicated objects • No clipping • No physics errors • No subtitles • No watermark • No logos

Cinematic 13-second raw handheld streetwear fashion video shot on 8mm vintage fisheye lens, ultra wide 16mm perspective, fast-paced energetic Tokyo urban night sequence, dynamic raw Y2K hip hop aesthetic, 16:9 aspect ratio. 0 to 2 seconds: Extreme close-up opening through a narrow vertical zipper slit in pitch blackness, revealing a young Asian man wearing a black streetwear bucket hat and embroidered jacket crouching down. The camera rapidly pans out through the slit into a super wide fisheye low-angle perspective looking up at two young men standing in a glowing Tokyo street corner at night surrounded by tall neon skyscrapers under dark skies. 2 to 4 seconds: Quick handheld whip-pan to the right down a neon lit sidewalk. A young black man with braided hair wearing a bright royal blue sweater with yellow lettering and a green paisley scarf steps casually through the frame while gesturing at the camera. Fast rotational motion blur transition sweeps across the screen. 4 to 6 seconds: Scene cuts smoothly inside a bright Japanese claw machine arcade filled with pastel pink interior walls and fluorescent overhead lights. The camera tracks backward as the young man in the blue sweater walks forward holding a small pink object to his ear while smiling and talking. An animated stylized liquid frame graphic swirls briefly around the edges of the frame. 6 to 8 seconds: Seamless cut to a retro mint green fast-food diner booth with warm overhead hanging lamp lighting. Low-angle wide view on the white tabletop as the man in the blue sweater reaches his hand directly toward the camera glass offering food. A quick dynamic psychedelic thermal infrared visual effect flashes over the screen for half a second showing vivid heat map colors of red, neon green, and deep blue before snapping back to real life. 8 to 10 seconds: The second man wearing the black jacket suddenly pops up from the diner table with an energetic reaction, holding a drink cup as the camera sweeps low. Fast cut to outdoors on a night street where both men walk along the pavement and high five each other in motion under glowing urban shop signs. 10 to 13 seconds: Camera drops to an extreme ground-level fisheye lens pointing straight up from the asphalt of a narrow alleyway. Both men loom over the lens under vertical glowing Japanese neon signboards. One subject stoops down and reaches his palm directly over the camera lens, causing a rapid spinning rotational motion blur that wipes the screen to black. Visual details: Authentic analog film grain, natural subtle lens distortion, realistic handheld camera shake, rich contrasty neon lighting, crisp reflections on pavement, high energy streetwear styling, realistic 90s hip hop music video camera direction. Audio includes an upbeat boom bap 90s hip hop beat with heavy bass, classic vinyl scratches, energetic vocal chops, synth accents, dynamic street ambiance, arcade sound effects, and clean rhythmic percussion layered throughout.

Create a realistic 15-second vertical (9:16) handheld smartphone vlog . The video begins outside a modern supermarket in bright daylight. She holds the phone in selfie mode, smiles, and says, "Come grocery shopping with me!" She walks inside while pushing a shopping cart, naturally filming herself. She picks fresh strawberries, bananas, vegetables, milk, bread, cereal, and snacks, occasionally turning the camera to show what's going into the cart. Include close-up shots of products, authentic aisle lighting, and realistic interactions with the environment. She laughs after finding her favorite snack, then films herself using the self-checkout. The final scene shows her walking out of the supermarket carrying grocery bags and an iced coffee, smiling at the camera and saying, "Shopping done! See you in my next vlog!" Ultra-realistic, cinematic smartphone footage, natural facial expressions, smooth handheld camera movement, realistic lighting, 4K quality, shallow depth of field, no AI artifacts, lifestyle influencer aesthetic.

0–1 sec Black screen. Then— EXTREME CLOSE-UP. White-gloved hand fills frame. Fingers spread. Wrist snaps. A web shoots upward. Camera instantly pulls backward revealing Kuala Lumpur. 1–4 sec Wide shot. She swings low through a lively Kuala Lumpur heritage street around Jalan Sultan and Petaling Street. Old shophouses. Five-foot walkways. Colorful signboards. Small cafés. Street vendors. Malaysian flags fluttering. She swings only about 3 meters above the road. Body perfectly streamlined. At the lowest point of the swing her feet lightly skim the roof of a parked Perodua Myvi. The contact is brief but physical. Her feet bounce naturally. She redirects her momentum. Camera banks approximately 40 degrees while weaving between buildings. 4–7 sec She releases the web. Her body opens naturally. Instead of firing another web immediately— She lands onto the side wall of a heritage shophouse. Runs vertically for 4–5 powerful steps. Body leaning roughly 45 degrees toward the wall. Feet strike concrete realistically. Arms pump. Hair flows sideways. At the top— She compresses both legs. Explodes away from the wall. Launches across a major intersection. Shoots another web toward the upper structure of Menara Maybank. Swing pulls her sharply sideways. Camera rolls approximately 60 degrees. 7–10 sec She swings low along Jalan Raja Chulan. Traffic flows beneath her. Grab cars. Motorcycles. RapidKL buses. She releases the web. Her feet land on the asphalt. Immediately transitions into a powerful sprint. Body leaning forward. Three to four athletic running steps between moving traffic. A Grab driver honks. She laughs instinctively. She plants one foot onto the side of a stationary taxi. Pushes explosively from the roof. Launches upward. Fires another web toward a nearby skyscraper. "WOOHOO!" 10–15 sec Wide cinematic shot. Drone rises with her toward rooftop level. Not excessively high. The skyline opens. Petronas Twin Towers dominate one side. Merdeka 118 rises in the distance. Golden hour. Warm orange sunlight. Pink clouds. Soft tropical haze. She reaches the highest point. Body naturally arches. Arms gently open. Eyes closed. Head tilted slightly back. She becomes a tiny silhouette centered against the enormous glowing Malaysian sunset sky. The frame lingers. One quiet breath. Gravity begins pulling her downward. Fade.

Scene 1 (0:00-0:02) — Nobody Notices: Tournament montage — hero always visible on pitch, cameras always following other players. Always there, always overlooked. Commentator voices name others around him. Scene 2 (0:02-0:04) — Final: He Wakes: Opening whistle of the final. Slow push-in on his face — something shifts behind his eyes. The invisible man decides today is the day. 85mm, shallow DOF. Scenes 3-5 (0:04-0:10) — Suddenly Visible: Body feint past USA so sharp the camera operator is slightly late — late pan visible. Heel roll Belgium, crowd notices. 360 Argentina — orbit camera only just catches it. France spin. Norway nutmeg — commentator says his name for the first time. Ground-level tracking, fast whip-pans, speed ramps. Scene 6 (0:10-0:12) — The Chip Nobody Saw: Brazil GK set. Hero chips in slow motion — 0.2x speed. Broadcast camera slightly late to follow. Ball already in the air before anyone is looking at the right place. Scenes 7-8 (0:12-0:15) — Now Everyone Sees & The Name: Ball hits net. Every camera in the stadium turns to him simultaneously — all lenses pointing at once. He stands completely still, calm, unsurprised. Trophy lift. Commentator says his full name correctly for the first time. Stadium chants it. He smiles. Visual consistency: same face, jersey number 10, consistent throughout. Camera work intentionally slightly late in early action scenes. No logos. ARRI Alexa 35.