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Shot 1 (0.0s – 1.2s) ​Visual: Mid Shot / Low Angle / Push In — The electric car starts off, lit by neon between dark buildings. ​Voiceover: "The world evolves. You move forward. Every path. Every moment. Any road. Anywhere." ​Shot 2 (1.2s – 2.4s) ​Visual: Wide Shot / Eye Level / Pan Right — Cars cuts through the street. Smooth, gentle curve. ​Voiceover: "The future is electric." ​Shot 3 (2.4s – 3.6s) ​Visual: Close-Up / High Angle / Push In — The car enters a neon tunnel. Lights streak around it. ​Voiceover: "Clean, powerful, limitless." ​Shot 4 (3.6s – 4.8s) ​Visual: Rear View / Eye Level / Follow — The car accelerates. Neon lines stretch behind it. ​Voiceover: "Feels like the future." ​Shot 5 (4.8s – 6.0s) ​Visual: Medium Shot / Low Angle / Tracking — Run fast down dustless dry desert. Car keeps driving, scenery blur. ​Voiceover: "This is your world." ​Shot 6 (6.0s – 7.2s) ​Visual: Tracking Shot / Eye Level / Tracking — Drive through dark cave. Tundras, electronic, beautiful pace. ​Voiceover: (Music & sound effects continue) ​Shot 7 (7.2s – 8.4s) ​Visual: Wide Shot / High Angle / Zoom Out — Horizon merges with a futuristic cityscape. Drive cars on elevated highway. ​Voiceover: (Music & sound effects continue) ​Shot 8 (8.4s – 9.6s) ​Visual: Close-Up / Low Angle / Push In — Car speeds up. Fast glow. Energy flows beneath the surface. ​Voiceover: (Music & sound effects continue) ​Shot 9 (9.6s – 10.8s) ​Visual: Front View / Eye Level / Push In — Come up on a futuristic city. Neon lights and glass structures. ​Voiceover: (Music & sound effects continue) ​Shot 10 (10.8s – 12.0s) ​Visual: Interior / Eye Level / Static — Driver looks ahead. Smooth, futuristic dashboard. ​Voiceover: (Music & sound effects continue) ​Shot 11 (12.0s – 13.5s) ​Visual: Wide Shot / High Angle / Crane Up — Elevated bridge, multi-level structure. The journey continues. ​Voiceover: (Music & sound effects continue) ​Shot 12 (13.5s – 15.0s) ​Visual: Front View / Eye Level / Push In — The futuristic sedan speeds out of a futuristic landscape. Large signboards. ​Voiceover: "Drive the future."

Create an ultra-realistic Get Ready With Me cinematic lifestyle video where the girl in @/image1 is preparing to leave home to watch a daytime football match. The video should feel like a luxury TikTok / Instagram Reel vlog mixed with cinematic commercial quality. Opening scene: soft natural daylight entering a modern apartment bedroom. The girl films herself casually in mirror-style shots while smiling naturally. Cozy clean aesthetic, warm sunlight, realistic home environment. Sequence includes: choosing a football jersey outfit from the closet, close-up shots of her applying subtle makeup and lip gloss, fixing her hair naturally in the mirror, putting on jewelry and perfume, trying on the football jersey in @/image2 with oversized casual sporty styling, cinematic close-ups of sneakers, jersey details, accessories, and phone, natural candid moments laughing at the camera, drinking iced coffee while getting ready, packing essentials into a small shoulder bag. The pacing should feel trendy and smooth with realistic influencer-style transitions. Handheld vlog camera mixed with cinematic tracking shots. Then show her leaving the apartment building confidently during bright daytime weather. Hair moving naturally in the wind, sunlight hitting her face beautifully. She walks through busy streets toward the football stadium while excited fans in jerseys pass by around her. Final sequence: entering the packed football stadium, walking through the crowd smiling excitedly, sitting in the stands watching the match, close-up reaction shots cheering and laughing, energetic daytime football atmosphere with chanting fans and crowd noise. Ultra realistic lifestyle cinematography, premium influencer aesthetic, realistic skin texture, natural movement, shallow depth of field, bright daylight, smooth transitions, authentic social media reel energy, cinematic commercial quality, 4k realism.

A cinematic ultra realistic 15 second video in 16 9 aspect ratio shot on a severe fisheye lens A young male street dancer with short dreadlocks wearing an oversized retro basketball jersey and baggy techwear pants He aggressively walks toward the camera in a sunlit concrete skatepark covered in vibrant metallic graffiti The camera operates from a dynamic low angle dolly moving backward Quick rhythmic cuts to a close up of his face as he smirks and grabs the camera lens with heavy silver rings on his fingers The camera violently tilts and pans as he breakdances on cracked concrete stairs Harsh midday sunlight casts deep sharp shadows High energy motion blur Urban street culture vibe Sync visual cuts to a heavy bass hip hop beat

A young woman with long dark wavy hair, fair skin, and a white flower hair clip, wearing a light beige polka-dot sweater, is sitting in a bright bedroom and excitedly showing a glittery liquid-filled phone case to the camera. She holds the transparent phone case with both hands, tilting and shaking it gently so the colorful star-shaped glitter, sequins, and small floating charms (yellow smiley faces, white unicorn, yellow rubber duck, blue dinosaur, pink and blue toy cars, green cactus) swirl and float beautifully inside the clear liquid. She speaks directly to the camera with a happy, enthusiastic expression, smiling and laughing: 'Wait, wait, look at this! There is a dinosaur in here and a duck. Why is there a duck? I can't stop doing this. This is genuinely the most satisfying thing I own right now. That's it, that's the review.' The camera is handheld with slight natural movement, alternating between medium shots of her face and close-ups on the sparkling phone case as she moves it around. Warm natural daylight, soft bokeh background, satisfying and relaxing ASMR-style unboxing/review vibe, high detail, cinematic lighting.

Replace the two men in the video with the two people from the reference images. Person 1 replaces the man on the left and Person 2 replaces the man on the right. Keep the original camera movement, timing, lighting, and body performance of both men, including their interactions and positions in the frame. Preserve Person 1's bald head, beard, black glasses, white t-shirt, light blue jeans, white sneakers with burgundy detail, and gold chain. Preserve Person 2's face, hair, and outfit exactly as shown in the reference images. Keep both identities distinct and consistent throughout the video, and do not mix or swap their features.

A fast paced 15 second hyper realistic action video in 16 by 9 aspect ratio driven by energetic electronic drum and bass music. The scene opens with a tight close up of a lush green potted bonsai tree on a florist counter. A hand swiftly grabs the pot. Cut to a dynamic handheld tracking shot following a young athletic woman wearing a bright yellow windbreaker and dark fitted athletic pants. She bursts out of the flower shop and breaks into a full speed sprint down a busy Seattle sidewalk. The camera shakes realistically to match her intense footfalls. She effortlessly vaults over a concrete planter and slides beneath a metal delivery cart. The lighting is cinematic midday sunlight creating high contrast shadows and bright lens flares bouncing off glass skyscrapers. Cut to a low angle shot pointing upward as she sprints underneath a moving elevated monorail train. The camera movement is frantic and urgent. She dashes up a set of steep stone stairs taking them three at a time. The frantic action suddenly cuts to a perfectly still calm static shot inside a sleek modern corporate office. The woman gently places the intact bonsai tree onto a polished glass desk in front of a stunned executive. Her breathing is slightly heavy but her expression is completely casual. The video must look entirely photorealistic with natural motion blur and authentic urban textures.

A glowing golden nunchaku spins rapidly in both hands, carving bright arcs against the dark background. Each swing leaves luminous gold trails that linger in the air. The nunchaku swings widen — golden arc trails stretch across the entire screen, overlapping and crisscrossing in every direction. The trails glow brighter with each pass, filling the dark space with streaking gold light. The nunchaku is hurled straight upward toward the camera. It grows larger as it approaches — the golden glow overwhelms the screen — total whiteout. The nunchaku reappears spinning midair, trailing golden arc-shaped afterimages. Orange sparks scatter around it. Low angle — a gloved hand reaches up to catch the descending chain. The camera orbits from overhead, sweeping past the back of the head, golden rim light tracing the hair's silhouette, then swings around to the front revealing the face with a confident expression. The character poses with the nunchaku held at shoulder height. Behind them, an orange explosion ignites and rapidly expands — god rays pour from above. The blast overwhelms the frame into blinding white. The camera slowly pulls back as the explosion subsides. The fireball fades from white-hot to orange to dark smoke forming a mushroom cloud shape. The character stands still, weapon at side — diamond-shaped sparkles appear around them. Debris and embers drift through the air. New scene. Extreme close-up of the character's face — a soft, satisfied smile. Golden bokeh particles float in the dark background.

A young woman studies alone at a kitchen table late at night, pushing through fatigue, until exhaustion hits her all at once and her head drops hard onto the book; a cat resting beside her reacts with a startled, confused look. ACTIVE REFERENCES <<<image_1>>>: young woman, low pigtails, beige t-shirt with brown long sleeves, sitting posture. 100% matches the reference. <<<image_2>>>: cluttered night kitchen, round wooden table, candle and small glass on the table. 100% matches the reference. <<<image_4>>>: open textbook, pink pen. <<<image_3>>>: fluffy white long-haired cat, adult, calm resting posture. 100% matches the reference. LOCATION MAP Camera faces the round table head-on at tabletop height. Foreground: open textbook and pink pen, screen-center-lower. Midground: the woman's forearms and lowered face, screen-center. а The cat lies along the table's right edge, parallel to the table line, close enough that her falling head lands just in front of it. FIRST FRAME AND SPATIAL BLOCKING The first visible frame already contains the woman leaning over the book and the cat resting beside her. No empty establishing frame. Woman: x 50%, y 60%, torso bent forward, both forearms on the table, gaze down at the page. Cat: x 78%, y 55%, lying flat, head raised and alert, positioned close enough to react to the table's impact. FORMAT MODE Controlled three-segment sequence with HARD CUTs at 8.0s and 11.0s. Real-time motion, with a single fast, hard-hitting impact at the drop. No subtitles, no music. OPTICS 50mm lens character for segments 1 and 2, camera 0.4 to 0.6 meters from the tabletop, low creeping angle skimming just above the table surface. 85mm lens character for segment 3, tight close-up isolating only the cat's face. CAMERA Segment 1: slow creeping dolly-in along the tabletop toward the book, height locked at table level, no vertical drift. Segment 2: static locked-off frame, camera does not move, but holds through the impact with a sharp micro-shake on contact. Segment 3: static locked-off close-up on the cat's face, camera does not move. ACTION TIMING 0.0s to 8.0s: she flips a page with her left hand, pink pen tapping lightly against the paper in her right hand, brow furrowed, eyes moving line by line, visibly fighting fatigue with slow blinks. 8.0s HARD CUT. 8.0s to 11.0s: without warning her head drops forward hard and fast, cheek and forehead striking the open page in one abrupt, heavy motion; the book jolts under the impact, a loose page flips from the force, the pink pen slips and clatters onto the table. 11.0s HARD CUT. 11.0s to 15.0s: close on the cat's face, its head snapping toward the sound, ears flattening then perking back up, pupils widening, head tilting slightly to one side in open confusion at what just happened. PHYSICS Page has visible weight and slight resistance when turned. The head drop is fast and heavy, not slow or drifting: real gravity and mass, an audible-feeling impact, the table surface absorbing a visible jolt, hair whipping forward and scattering across the page on contact. The pen skids and rolls slightly from the impact before settling. Cat's ear and neck movement is sharp and reactive, a genuine startle response with a brief overshoot before settling into a tilted, confused hold. LIGHTING Primary light source: warm candle flame and a small lamp glow, both practical and visible in frame. Light direction: low, from candle height, casting soft warm highlights across the page and her lowered face. Camera stays on the same side as the light; no backlight silhouette. Segment 3 keeps the same warm key light directly on the cat's face, eyes catching a small warm glint. AUDIO Soft pencil-on-paper scratch and faint page-turn rustle through segment 1; a sudden sharp thud of head against book at the drop, the pen's clatter, a startled cat chirp-meow immediately after. No dialogue, no music, no subtitles.

{動物の絵文字}をモチーフにした小さなぬいぐるみ風の動物たちが、巨大なスイカの島でバカンスしているミニチュア世界。赤い浜辺、種の石、皮の森、ソーダ色の海。丸い顔、小さな黒い点目、短い手足、4:5縦長。心地よいオルゴールのBGM。

Bullet time effect. A businessman in white shirt and black tie slipping and falling backwards on an icy wet street in Wall Street, New York. Coffee cup standing on ground, liquid exploding outward frozen in mid-air. Ice chunks, water droplets, and coffee splash all completely suspended time is frozen. Tall buildings on both sides creating a canyon effect. The camera smoothly orbits 360 degrees around the falling man at low ground level angle, only the camera moves while everything else remains perfectly still. Cinematic, overcast dramatic lighting, wide angle lens distortion.

[CINEMATIC SETUP] Real TV Broadcast style. Shot on 35mm lenses with high-shutter speed to capture water droplets. Color grade: Natural, overcast race aesthetic matching the lighting in [ref img] . Audio: Immersive spatial sound with high-pitched engine whirring, heavy water splashing, and dramatic sports commentary muffled by engine noise. [IMAGE REFERENCES / LEGEND] [ref img] : The starting grid at Autodromo Nazionale Monza. Use this for the exact hovercraft designs, the wet track texture, and the "LIVE SPORTS" UI overlay. [TIMELINE SECOND BY SECOND] 0-3s: [Wide shot] Match [ref img] perfectly. The red lights vanish; the hovercrafts accelerate instantly with massive "rooster tail" water spray. Realistic physics as the crafts lift off the wet asphalt. 3-7s: [Aerial Drone tracking shot] High-angle view following the pack into a sharp curve. Two hovercrafts lose stability, skip across the water's surface, and land into the grass/mud runoff, creating a debris cloud. 7-11s: [Close-up tracking shot] Focus on the head of the race. A blue "TechHalla Aqua" craft attempts an aggressive overtake. Suddenly, a large crocodile lunges from the trackside water, biting into the thick rubber tire of the chasing craft. The craft jerks and spins out of control. 11-15s: [Ground-level wide shot] The hovercraft comes to a stop. The bald with beard pilot frantically climbs out of the cockpit. The crocodile crawls onto the track toward him. The shot ends with the pilot running toward the camera as the crocodile pursues.

Create a cinematic architectural presentation of "SAHARA DUNE METROPOLIS," a self-sustaining futuristic desert city inspired by flowing sand dunes. Begin with a detailed film set design board showcasing hero perspectives, architectural sections, passive cooling systems, water harvesting, greenhouse districts, master plan, material palette, storyboard panels, and cinematic lighting notes.